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Larisch, Lukas
The mathematical characterization of the sound of a musical instrument still follows Schumann’s laws [1]. According to this theory, the resonances of the instrument body, “the formants”, filter the oscillations of the sound generator (e.g., str
Externí odkaz:
http://hdl.handle.net/10754/628716
Publikováno v:
In Discrete Applied Mathematics 15 May 2020 278:136-152
Publikováno v:
Computing & Visualization in Science; 2020, Vol. 23 Issue 1-4, p1-13, 13p