Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Larisa N. Donina"'
Autor:
Larisa N. Donina
Publikováno v:
Историческая этнология, Vol 8, Iss 3, Pp 374-388 (2023)
The article is devoted to identifying the origins and regional features of the technology of high-relief coinage in the Kazan-Tatar jewelry tradition. The main source was the electronic database of Tatar jewelry from museum collections, collected wit
Externí odkaz:
https://doaj.org/article/f76f4ba17571420ebf4046b987439987
Autor:
Svetlana V. Suslova, Larisa N. Donina
Publikováno v:
Археология евразийских степей, Vol 5, Pp 229-241 (2023)
From the variety of moulded artifacts studied by the authors, it is obvious that the Kazan Tatar craftsmen were familiar with elementary and rather complex casting technologies. Casting from a ready-made model into closed earthen moulds was the simpl
Externí odkaz:
https://doaj.org/article/f9177aeff46c45c6b4ae71debb35df84
Autor:
Svetlana V. Suslova, Larisa N. Donina
Publikováno v:
Историческая этнология, Vol 8, Iss 1, Pp 94-111 (2023)
The article is devoted to the history of the formation of the ethnospecific jewelry of the Kazan Tatars – a collar clasp-necklace called yaka chylbyry. This piece of jewelry in its classic look had formed by the early-middle 19th century. However,
Externí odkaz:
https://doaj.org/article/9ecadfe10af14be593d80d89a3c255dc
Autor:
Svetlana V. Suslova, Larisa N. Donina
Publikováno v:
Историческая этнология, Vol 7, Iss 2, Pp 254-273 (2022)
An expert historical, ethnological and technological analysis of two Central Asian jewelry pendants from the collections of Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) of the Russian Academy of Sciences (MAE RAS) (2014 ex
Externí odkaz:
https://doaj.org/article/fd79abb650e041ddb6be2ebd85f3bc55
Autor:
Larisa N. Donina, Svetlana V. Suslova
Publikováno v:
Историческая этнология, Vol 3, Iss 1, Pp 69-80 (2018)
The article is devoted to the identification and archaeological and ethnographic interpretation of technical and technological features of the Tatar jewelry art. Kazan was one of the largest jewelry centers in the Russian Empire, distinguished by the
Externí odkaz:
https://doaj.org/article/835418f16e794098b5e1f3cf4fbc460b
Autor:
Larisa N. Donina
Publikováno v:
Историческая этнология, Vol 3, Iss 2, Pp 209-233 (2018)
In the middle of the 19th century Kazan had a solid reputation as a theatrical city. The Russian grand drama theater started operating in 1791. 1874 is rightly considered the birthday of the Kazan opera. Along with the Kazan University, they played a
Externí odkaz:
https://doaj.org/article/08db9d6220d64725a52859c551c7523f
Autor:
Larisa N. Donina
Publikováno v:
Историческая этнология, Vol 2, Iss 1, Pp 64-79 (2017)
The article reflects the results of a study of the technology ofthe Kazan Tatars’ jewelry art in the context of metal crafts of Eurasia. The article considers the peculiarities in ornamentation of Tatar chased jewelery plaques made using the method
Externí odkaz:
https://doaj.org/article/a3c68d642d8740ff85e5f5261511f182
Autor:
Larisa N. Donina, Svetlana V. Suslova
Publikováno v:
Zolotoordynskoe Obozrenie, Vol 7, Iss 3, Pp 461-487 (2019)
Research objectives: Identification of the Jochid jewelry traditions in Kazan-Tatar filigree art based on the example of the ethnospecific element of the traditional Tatar culture – almond-shaped filigree earrings. Research materials: The main sour
Autor:
Larisa N. Donina
Publikováno v:
Actual Problems of Theory and History of Art. 8:661-670
Autor:
Larisa N. Donina, Svetlana V. Suslova
Publikováno v:
Povolžskaâ Arheologiâ, Vol 4, Iss 22, Pp 222-235 (2017)
The article considers the technical and technological parameters of Kazan-Tatar filigree (openwork, granulous and overlay) with the purpose of determining its genesis and ethnic specific features. The authors determined that the Kazan-Tatar filigree