Zobrazeno 1 - 10
of 152
pro vyhledávání: '"Laney, Robin"'
Autor:
Franceschini, Andrea1 andrea.franceschini@gmail.com, Laney, Robin2 robin.laney@open.ac.uk
Publikováno v:
Journal of Music, Technology & Education. 2021, Vol. 14 Issue 2/3, p179-207. 29p.
Publikováno v:
Music Perception: An Interdisciplinary Journal, 2011 Apr . 28(4), 387-414.
Externí odkaz:
https://www.jstor.org/stable/10.1525/mp.2011.28.4.387
Publikováno v:
Music Perception: An Interdisciplinary Journal, 2015 Apr . 32(4), 364-393.
Externí odkaz:
https://www.jstor.org/stable/10.1525/mp.2015.32.4.364
Autor:
Franceschini, Andrea1 (AUTHOR) andrea.franceschini@gmail.com, Laney, Robin2 (AUTHOR) robin.laney@open.ac.uk, Dobbyn, Chris2 (AUTHOR)
Publikováno v:
Journal of Music, Technology & Education. 2020, Vol. 13 Issue 1, p5-31. 27p.
Publikováno v:
In Computer Networks 20 August 2013 57(12):2454-2464
Publikováno v:
Nordic SMC 2021: The 2nd Nordic Sound and Music Conference
In this paper, we present tiNNbre, a generative music prototype-system that reacts to timbre gestures. By timbre gesture we mean a sonic (as opposed to body) gesture that mainly conveys artistic meaning through timbre rather than other sonic properti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1284d722dcba3fc341db9606ec49e744
Autor:
Whorley, Raymond, Laney, Robin
We describe how to begin the computational process of composing a piece in the style of J.S. Bach’s two-part inventions by automatically generating plausible musical subjects. A generate and test protocol is proposed, whereby subjects would be gene
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::c36f98236e301f8e9fddb6cc835c2599
http://oro.open.ac.uk/72735/1/CSMC_MUME_paper_camera_ready.pdf
http://oro.open.ac.uk/72735/1/CSMC_MUME_paper_camera_ready.pdf
Since the early years of the past century, many scholars have focused their efforts towards designing models to better understand the way listeners perceive musical tension. From the existing models, Lerdahl's has shown strong correlations against te
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c1e0e19ece573636e661ba65cdc26e7b
http://oro.open.ac.uk/72732/1/CSMC_2020_camera_ready_v2.pdf
http://oro.open.ac.uk/72732/1/CSMC_2020_camera_ready_v2.pdf
The Nigerian Field, 55 (3-4), 113-128
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::453d5bd0a0992de2515b894ee697e7e3
Autor:
Daquino, Marilena, Daga, Enrico, d'Aquin, Mathieu, Gangemi, Aldo, Holland, Simon, Laney, Robin, Penuela, Albert Merono, Mulholland, Paul
Publikováno v:
Daquino, M, Daga, E, D'Aquin, M, Gangemi, A, Holland, S, Laney, R, Meroño-Peñuela, A & Mulholland, P 2017, Characterizing the Landscape of Musical Data on the Web: State of the art and challenges . in Proceedings of the 2nd Workshop on Humanities in the SEmantic web (WHiSe 2017) .
Scopus-Elsevier
Vrije Universiteit Amsterdam
Second Workshop on Humanities in the Semantic Web-WHiSe II
Proceedings of the 2nd Workshop on Humanities in the SEmantic web (WHiSe 2017)
Scopus-Elsevier
Vrije Universiteit Amsterdam
Second Workshop on Humanities in the Semantic Web-WHiSe II
Proceedings of the 2nd Workshop on Humanities in the SEmantic web (WHiSe 2017)
Musical data can be analysed, combined, transformed and exploited for diverse purposes. However, despite the proliferation of digital libraries and repositories for music, infrastructures and tools, such uses of musical data remain scarce. As an init
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::0bca60cf1056fc030d186caee6c5e30f
https://hdl.handle.net/1871.1/cd601e11-02ba-40e5-8c0c-4139a32d0b69
https://hdl.handle.net/1871.1/cd601e11-02ba-40e5-8c0c-4139a32d0b69