Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Lachlan Goold"'
Autor:
Lachlan Goold
Publikováno v:
Distortion in Music Production ISBN: 9780429356841
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e5aa53a5a3f5d7d34dd63d3b8bdd8df5
https://doi.org/10.4324/9780429356841-9
https://doi.org/10.4324/9780429356841-9
Autor:
Lachlan Goold
Publikováno v:
Popular Music. 41:238-256
The propagation of low-cost music production technologies changes the way recording artists experience the spatial environments and technology of the recording studio. Concomitantly dwindling recording budgets have led to large-format studio closures
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a20b7d954abe134774cd602234208fae
https://doi.org/10.1017/s0261143022000150
https://doi.org/10.1017/s0261143022000150
Autor:
Monica J. Barratt, Alexia Maddox, Naomi Smith, Jenny L. Davis, Lachlan Goold, Adam R. Winstock, Jason A. Ferris
Publikováno v:
Drug and Alcohol Review. 41:1126-1130
Digital drugs, or binaural beats claimed to elicit specific cognitive or emotional states, are a phenomenon about which little is known. In this brief report, we describe demographic and drug use correlates of binaural beat use, patterns of use, reas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f2cc25a08e7e37e565941cbf2090ccf0
https://doi.org/10.1111/dar.13464
https://doi.org/10.1111/dar.13464
Autor:
Lachlan Goold
Publikováno v:
Popular Music Scenes ISBN: 9783031086144
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4abc04cbd5c471f9d3108398224edf1f
https://doi.org/10.1007/978-3-031-08615-1_7
https://doi.org/10.1007/978-3-031-08615-1_7
Autor:
Michael Brown, Ben Green, Dianne Rodger, Peter Beilharz, Darren Jorgensen, John Encarnacao, Henry Johnson, Matthew Bannister, Jon Stratton, Ian Chapman, Adrian Renzo, Lachlan Goold, Chris Gibson, Graeme Turner, Nicholas Tochka, Lila Ellen Gray, Maria Sonevytsky, Aram Yardumian, Jacopo Tomatis, David Looseley, Fernán del Val, Lutgard Mutsaers, Ewa Mazierska, Richard Elliott, Anna Szemere, Henrik Marstal, Sean Nye, Philip V. Bohlman, Carol Silverman, Ross Hagen, Frederick J. Moehn, Charles A. Perrone, Daniel B. Sharp, Derek Pardue, Jonathon Grasse, Mila Burns, Marc A. Hertzman, Brian McCann, Allen Thayer, Barbara Browning, Shelley Brunt, Toshiyuki Ohwada, Lasse Lehtonen, Brooke McCorkle, Kunio Hara, Martin Roberts, Patrick Michel, Rose Bridges, Patrick W. Galbraith, Keisuke Yamada, Jason G. Karlin, András Rónai, Mariusz Gradowski, Héctor Fouce, Lauren Istvandity, Liz Giuffre, Ian Rogers
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6d068426a16fd8f2fa763cabff770418
https://doi.org/10.5040/9781501363153
https://doi.org/10.5040/9781501363153
Publikováno v:
International Journal of Cultural Policy. 27:621-635
Nightlife precincts are constituted by intersecting cultural, market and regulatory forces. They are a vibrant part of the experience economy of the city and important sites for the performance of ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::90e1e86e72c0d5177eb99dc33614deca
https://doi.org/10.1080/10286632.2020.1830979
https://doi.org/10.1080/10286632.2020.1830979
Autor:
Lachlan Goold, Lauren Istvandity
Regurgitator’s second full-length album, Unit (1997), was produced in a DIY warehouse studio at a time when this was unusual for a major label band. The album went three times Platinum in Australia and won five esteemed ARIA Awards in 1998, includi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c5e6fc5982c37175c469810d973bcf9a
https://doi.org/10.5040/9781501381805
https://doi.org/10.5040/9781501381805
Publikováno v:
Perfect Beat. 21
In this article we explore a collaborative interdisciplinary Theatre and Music production as part of two undergraduate courses at the University of the Sunshine Coast, Australia, during COVID-19. Tertiary intuitions all over the world are currently b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b3e14ffa88c8d7430dd649da3b723a09
https://doi.org/10.1558/prbt.19305
https://doi.org/10.1558/prbt.19305
Autor:
Scott Regan, Barbara Wood, Nicholas Carah, Jason Ferris, Callum MacFarlane, Emily Kilpatrick, Lachlan Goold, Cheneal Puljević, Peter Miller
Publikováno v:
Drug and alcohol reviewReferences. 40(5)
The Queensland Government's Tackling Alcohol-Fuelled Violence (TAFV) Policy was met with concern from live music venue owners who feared decreased patronage and associated revenue. This study investigates the impact of the TAFV Policy on live music v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e69ef6861b35950273b753d6d8f0ac53
https://pubmed.ncbi.nlm.nih.gov/34013587
https://pubmed.ncbi.nlm.nih.gov/34013587
Autor:
Lachlan Goold, Lauren Istvandity
Regurgitator's second full-length album, Unit (1997), was produced in a DIY warehouse studio at a time when this was unusual for a major label band. The album went three times Platinum in Australia and won five esteemed ARIA Awards in 1998, including