Performance and acceptance when using tablets as a multiple document learning tool: do application and guidance matter?

Autor: Lombard, Jordan, Bråten, Ivar, van de Leemput, Cécile, Amadieu, Franck

Publikováno v: Lombard, Jordan Bråten, Ivar van de Leemput, Cécile Amadieu, Franck . Performance and acceptance when using tablets as a multiple document learning tool: do application and guidance matter?. Instructional Science. 2021, 49(2), 197-221
Instructional Science

Externí odkaz: http://hdl.handle.net/10852/92319
https://www.duo.uio.no/bitstream/handle/10852/92319/1/Lombard2021_Article_PerformanceAndAcceptanceWhenUs.pdf

Acceptabilité des technologies d'apprentissage mobile : le cas des tablettes

Autor: Amadieu, Franck, Mulet, Julie, Van Der Linden, Jan, Lombard, Jordan, Van de Leemput, Cécile

Publikováno v: Éducation permanente
Éducation permanente, Arcueil : Éducation permanente, 2019, 219, pp.31-40

International audience; Les outils pour l’apprentissage mobile que sont les tablettes tactiles sont de plus en plus mobilisés dans les situations d’éducation et de formation. Ces outils présentent certains atouts et semblent être plutôt bien

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::789c9426ba37dc414029fd2e904dbaf8
https://hal-univ-tlse2.archives-ouvertes.fr/hal-02178606

Acceptance and AER Strategy during multiple text comprehension when using iPad pro

Autor: Lombard, Jordan, Amadieu, Franck, Bråten, Ivar, Leemput, Cécile Van De

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::64a2a82a52c353ee7f94f8a94773a95d

THE "LOST" JORDAN AND HAY FISH COLLECTION AT BUTLER UNIVERSITY.

Autor: Gilbert, Carter R.¹

Publikováno v: Proceedings of the Indiana Academy of Science. 2009, Vol. 118 Issue 2, p143-186. 44p.

Push Me, Pull You : Imaginative, Emotional, Physical, and Spatial Interaction in Late Medieval and Renaissance Art

Autor: Sarah Blick, Laura Gelfand

Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged