Zobrazeno 1 - 10
of 596
pro vyhledávání: '"LERMONTOV"'
Autor:
Olga N. Smyslova
Publikováno v:
Два века русской классики, Vol 6, Iss 4, Pp 158-175 (2024)
The article is devoted to the issues of F. M. Dostoevsky’s understanding of the role of Ivan the Terrible’s state activity in Russian history and the reflection of the writer’s ideas about the personality of Ivan the Terrible in works of art an
Externí odkaz:
https://doaj.org/article/da9e518d091143868e6155d1c9475b05
Autor:
Irina A. Kiseleva
Publikováno v:
Два века русской классики, Vol 6, Iss 3, Pp 82-97 (2024)
The article examines Lermontov’s poem “Valerik” in terms of the spiritual content of the epistolary genre. The specific feature of “Valerik” is the pronominal organization of the text. Using pronominal constructions, Lermontov places semant
Externí odkaz:
https://doaj.org/article/969f29761ff8412592c13f2cb2601336
Autor:
Sofia Osthoff Bediaga
Publikováno v:
RUS (São Paulo), Vol 15, Iss 27 (2024)
Baile de máscaras é uma peça de teatro escrita por Mikhail Lermontov (1814-1841), um dos principais escritores do romantismo russo. Tomando como base a estrutura de Othello, de Shakespeare, Lermontov traz o protagonista Arbiênin como uma versão
Externí odkaz:
https://doaj.org/article/9c3c0daf34d8447297f28784cbf6fcb4
Autor:
Edmondson III, Henry T.
Publikováno v:
Listening: Journal of Communication Ethics, Religion & Culture. Fall2018, Vol. 53 Issue 3, p137-151. 15p.
Autor:
Layton, Susan
Publikováno v:
History Today. Feb97, Vol. 47 Issue 2, p6. 4p. 2 Color Photographs, 4 Black and White Photographs.
Autor:
Громова П.С.
Publikováno v:
Russian Linguistic Bulletin, Vol 56, Iss 8 (2024)
Для писателей романтической эпохи Наполеон был наиболее полным выразителем их века, его символом. Его образ воплотился в произведениях
Externí odkaz:
https://doaj.org/article/3f3adcebbb2a43f1892e83cd026a3146
Autor:
NAYKİ, Nil KORKUT1 nkorkut@metu.edu.tr
Publikováno v:
Gaziantep University Journal of Social Sciences. 2017, Vol. 16 Issue 1, p183-192. 10p.
Autor:
Martina Morabito
Publikováno v:
Cinergie, Iss 24, Pp 135-152 (2023)
Oriented by visual, gender and ethnographic studies, and broadening the focus from the film itself to the reviews in the cinema press of the period, this article offers a new interpretation of the Russian film Bela, a work that has been largely overl
Externí odkaz:
https://doaj.org/article/a2dc21610c784700b716cda3d233979b