Zobrazeno 1 - 10
of 22
pro vyhledávání: '"L lu Ma"'
Publikováno v:
Mathematical Inequalities & Applications. :715-720
Autor:
Xu, Yanan1 (AUTHOR), Zhang, Xinjiang1 (AUTHOR), Hui, Taiyu1 (AUTHOR), Sun, Jiaming1 (AUTHOR), Cai, Weidong1 (AUTHOR), Lin, Guangyu2 (AUTHOR), Wang, Lingling2 (AUTHOR), Dou, Xingtang2 (AUTHOR), Wang, Zhanhong2 (AUTHOR), Han, Di2 (AUTHOR), Wang, Jiaming2 (AUTHOR), Zhang, Yu1 (AUTHOR), Qin, Yuting1 (AUTHOR), Gu, Ming1 (AUTHOR), Bai, Zhixian1 (AUTHOR), Sun, Yinggang1 (AUTHOR), Wu, Yanzhi1 (AUTHOR), Chen, Rui1 (AUTHOR), Wang, Zeying1 (AUTHOR)
Publikováno v:
Animal Biotechnology. Jun2023, Vol. 34 Issue 3, p698-708. 11p.
Autor:
Adam, Alfin1 alfinadam205@gmail.com, Gemis, Muhammad Rizky1 rizkygemiss45@gmail.com, Syahputra, Pradhana Arief1 pradhanasyahputra00@gmail.com, Ahmadi, Rif’an1 rifanahmadi2001@gmail.com, Nurdiansyah, Rizky Edi1 rizkyedi99@gmail.com, Pangestu, Sandy1 Sandypangestu46@gmail.com
Publikováno v:
Jurnal Ekonomi Manajemen Sistem Informasi (JEMSI). jan/feb2023, Vol. 4 Issue 3, p516-534. 19p.
Autor:
Kurwadkar, Sudarshan
Publikováno v:
Water Environment Research (10614303); Oct2019, Vol. 91 Issue 10, p1001-1008, 8p
Publikováno v:
1989 American Control Conference; 1989, p8-34, 27p
Autor:
Westbrook, Raymond
Publikováno v:
Journal of Cuneiform Studies; 2003, Vol. 55, p87-97, 11p
Autor:
Grant Frame
The Neo-Assyrian king Sargon II was one of the most important and famous rulers of ancient Mesopotamia. In this volume of critically important ancient documents, Grant Frame presents reliable, updated editions of Sargon's approximately 130 historical
Autor:
Eugen J. Pentiuc
Part 1 of this study is a glossary with comparative analysis of non-normative Akkadian forms, Hittite and Hurrian words, West Semitic lexemes, and words of uncertain origin, with special attention given to the West Semitic forms. Part 2 consists of g
Publikováno v:
IEEE Transactions on Sonics & Ultrasonics; 1985, Vol. 32 Issue 2, pi-i, 1p
Autor:
Sarah M. Ross
In the 1960s, Jewish music in America began to evolve. Traditional liturgical tunes developed into a blend of secular and sacred sound that became known in the 1980s as “American Nusach.” Chief among these developments was the growth of feminist