Zobrazeno 1 - 10
of 22
pro vyhledávání: '"László Dobszay"'
Autor:
László Dobszay
Publikováno v:
Western Plainchant in the First Millennium
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::74f51e5069dbe7216387dd418f477c24
https://doi.org/10.4324/9781315084114-9
https://doi.org/10.4324/9781315084114-9
Autor:
László Dobszay
Publikováno v:
T&T Clark Companion to Liturgy.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9399bd689889bb0819ed3c75f5a4c665
https://doi.org/10.5040/9780567661708.ch-010
https://doi.org/10.5040/9780567661708.ch-010
Autor:
László Dobszay
Publikováno v:
Usus Antiquior. 3:159-181
First Lecture: In Hungary, since the 1960s there has been a movement to restore liturgical music by means of small parochial scholas, supported by a programme of musical publications and study retreats. Vernacular texts and simplified melodies have a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fe2021fd4ef117f096bdb283d5343c1d
https://doi.org/10.1179/1757894912z.00000000018
https://doi.org/10.1179/1757894912z.00000000018
Autor:
László Dobszay
Publikováno v:
Antiphon: A Journal for Liturgical Renewal. 13:18-27
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fd7eff06ee413f3c23c7d402c6bc02c
https://doi.org/10.1353/atp.2009.0019
https://doi.org/10.1353/atp.2009.0019
Autor:
László Dobszay
Publikováno v:
Studia Musicologica. 49:3-33
The responsory — a genre originated in early period of Gregorian chant, but also increasing in number until the end of the Middle Ages — is expected as transmitted in a rather stable melodic shape. The paper lists and analyses, however, 27 items
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f4248303dc885152385e8aa1e07edf1c
https://doi.org/10.1556/smus.49.2008.1-2.1
https://doi.org/10.1556/smus.49.2008.1-2.1
Autor:
László Dobszay
Publikováno v:
Studia Musicologica Academiae Scientiarum Hungaricae. 45:67-94
The basic question of the paper is, whether the medieval institutions can be identified by the means of musical analysis. Two series of examples are documented, variants with clear characteristics. In the first series the same antiphon text is associ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cc1a688944cd46f15fc132d88f2275c7
https://doi.org/10.1556/smus.45.2004.1-2.5
https://doi.org/10.1556/smus.45.2004.1-2.5
Autor:
László Dobszay
Publikováno v:
Speculum. 82:238-240
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e88cab339a4a866a4e6dc1cffe41b8b7
https://doi.org/10.1017/s0038713400006199
https://doi.org/10.1017/s0038713400006199
Autor:
Laszlo Dobszay
This is a serious, scholarly analysis of liturgy combining historical, philosophical and musicological aspects.
Autor:
László Dobszay
Publikováno v:
Journal of the Plainsong and Mediaeval Music Society. 13:49-78
The Hungarian tribes came into the Carpathian Basin at the end of the 9th century with the last wave of the great migration. There they founded a new state in a sparsely populated, politically unorganized land. After a hundred years of incursions int
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::22fbe926d071221d3a81f0695164d6b9
https://doi.org/10.1017/s014349180000132x
https://doi.org/10.1017/s014349180000132x