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pro vyhledávání: '"Kwasu David Tembo"'
Autor:
Kwasu David Tembo
Publikováno v:
Sanglap: Journal of Literary and Cultural Inquiry, Vol 8, Iss 2, Pp 1-11 (2022)
While popular interpretations of Poe's dark comedy “The System of Doctor Tarr and Professor Fether” describe the text, its themes, aesthetics, and narrative as satirical political commentary on American democracy, a latently subversive polemic ag
Externí odkaz:
https://doaj.org/article/cc113f9c4e1e48cd83762b13558ae0e5
Autor:
Kwasu David Tembo
Publikováno v:
PostScriptum: An Interdisciplinary Journal of Literary Studies, Vol 2, Iss ii, Pp 35-56 (2017)
On the May 19, 2017 episode of Real Time with Bill Maher, Maher's attacked the exponential rise in the popularity of superhero films and television shows over the past decade, citing 'superhero culture' as the cause of America's current socio-politic
Externí odkaz:
https://doaj.org/article/a1f995fdd4644d9398dbb54004681153
Autor:
Kwasu David Tembo
Publikováno v:
Revue LISA, Vol 17
OK Computer marks an important volta or fin-de-siècle in Radiohead’s oeuvre. It is clear that the thematic leitmotif running throughout the album, influencing everything from Yorke’s lyrics, the sonic dynamism and experimentation on show, to the
Externí odkaz:
https://doaj.org/article/3fb69887d84a4f2a9127f955430c1b26
Autor:
Kwasu David Tembo
Publikováno v:
Exchanges: The Interdisciplinary Research Journal. 9:145-161
The nerds of 20th and 21st century global pop and visual culture have taken various forms over the decades. In a plethora of media - from video games to comic books to film - individuals associated with this subject position have typically been shown
Autor:
Kwasu David Tembo
Publikováno v:
Interações: Sociedade e as novas modernidades. :165-181
When viewed from the lens of couture and class, the contemporary portrayal of the vampire as iconic in both sociopolitical and aesthetic spheres, and as icons of various subaltern, outsider, or what I call 'demimondeur' lifestyles, subcultures, and t
Autor:
Kwasu David Tembo
Publikováno v:
The International Encyclopedia of Gender, Media, and Communication
Autor:
Kwasu David Tembo
Publikováno v:
Mixed-Race Superheroes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::422e150ad9be0105216052d152812364
https://doi.org/10.36019/9781978814639-009
https://doi.org/10.36019/9781978814639-009
Autor:
Kwasu David Tembo
Publikováno v:
The Cinematic Sublime ISBN: 9781789382419
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e09d8a3cee8a4a1fb5f294bce5d400ca
https://doi.org/10.2307/j.ctv36xw6mk.15
https://doi.org/10.2307/j.ctv36xw6mk.15
Autor:
Kwasu David Tembo
Publikováno v:
The Palgrave Handbook of Incarceration in Popular Culture ISBN: 9783030360580
Though set 30 years after the invention of the Panopticon as conceived by English social theorist and philosopher Jeremy Bentham, the Chateau D’If, as a prison, functions in ways that are comparatively ancient. Predicated on concealment and sequest
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fff3eea6f611639a81d9f628c0f74150
https://doi.org/10.1007/978-3-030-36059-7_12
https://doi.org/10.1007/978-3-030-36059-7_12