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of 115
pro vyhledávání: '"Kolešnik, Ljiljana"'
Knjiga je pripremljena kao konzervatorski elaborat u kojem se iscrpno obrađuje povijest gradnje i mjene koje je doživjela zgrada na Trgu žrtava fašizma 16 u Zagrebu. Prvobitno građena kao izložbeni prostor u vlasništvu Hrvatskog društva umjet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_____10142::2613482e5ee511504cd5d1927988a292
https://urn.nsk.hr/urn:nbn:hr:254:870045
https://urn.nsk.hr/urn:nbn:hr:254:870045
Autor:
Kolešnik, Ljiljana
In 1971, and as a result of still another reorganization of its state administration, Yugoslavia disbanded the Federal Commission for Foreign Cultural Relations, a well-organized and quite efficient governmental service, established at the beginning
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::480a68107467193b1d2b8962b2e53129
https://www.bib.irb.hr/1260216
https://www.bib.irb.hr/1260216
Knjiga je pripremljena kao konzervatorski elaborat u kojem se iscrpno obrađuje povijest gradnje i mjene koje je doživjela zgrada na Trgu žrtava fašizma 16 u Zagrebu. Prvobitno građena kao izložbeni prostor u vlasništvu Hrvatskog društva umjet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::ce8557345c67c5fae914427998e91c81
https://www.bib.irb.hr/1252603
https://www.bib.irb.hr/1252603
Autor:
Kolešnik, Ljiljana
Within the scholarly discourse on non-alignment in Yugoslavia – focused on the viability of its political objectives, problems, and prospects – culture took a more prominent position only at the beginning of the 1980s. Echoing its inclusion among
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::037b535ada1036dfc4c751370a0f18a7
https://www.bib.irb.hr/1260218
https://www.bib.irb.hr/1260218
Autor:
Kolešnik, Ljiljana
Yugoslavia included the format of art colonies and sculptural symposia to its cultural policy already in the mid-1950s. Initially conceived as an opportunity for close interaction between professional artists and local communities (usually small town
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::524fa40846ca9369c6b4e6b83a9ad1a4
https://www.bib.irb.hr/1260221
https://www.bib.irb.hr/1260221
Autor:
Kolešnik, Ljiljana
Publikováno v:
Život umjetnosti. :22-41
Uvodnik u tematski broj časopisa posvećen digitalnoj povijesti umjetnosti. Donosi pregled stanja u tome području (smjerovi istraživanja, metodologija, rezultati, ispunjena i neispunjena očekivanja) uz kratki osvrt na članke koji čine sadržaj
Autor:
Belamarić, Josip, Bjažić Klarin, Tamara, Damjanović, Dragan, Dundović, Boris, Horvat-Levaj, Katarina, Horvatinčić, Sanja, Kolešnik, Ljiljana, Kraševac, Irena, Križić Roban, Sandra, Mance, Ivana, Premerl, Daniel, Šverko, Ana, Vučetić, Ratko, Želić, Danko, Žmegač, Andrej
U sklopu Programa cjelovite obnove povijesne urbane cjeline Zagreba nakon potresa 22. ožujka 2020. godine (koji vodi Zavod za prostorno uređenje Grada Zagreba), Institut za povijest umjetnosti preuzeo je izradu Konzervatorskog modela obnove. Kao je
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a199a50bbd84c884da11415cdc7876a1
https://www.bib.irb.hr/1196275
https://www.bib.irb.hr/1196275
Publikováno v:
PORTO ARTE: Revista de Artes Visuais; v. 26 n. 46 (2021): DOSSIÊ ESPAÇOS MALEÁVEIS; 1-25
O engajamento curatorial de Almir Mavignier na primeira exposição Novas Tendências (NT), organizada em cooperação com o crítico de arte croata Matko Meštrović e a Galeria de Arte Contemporânea de Zagreb, em 1961, foi uma excelente introspec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::de450eb0a6ac5d052573aeab547fed86
https://www.bib.irb.hr/1182532
https://www.bib.irb.hr/1182532
Autor:
Kolešnik, Ljiljana
The Institute of Art History in Zagreb formally initiated its first project in digital art history in 2014. The differences between the present landscape of the local digital humanities and the one in which the Institute began its “digital turn”
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::98e4b7697190bdf91a09797a4bdc183f
https://www.bib.irb.hr/1180632
https://www.bib.irb.hr/1180632
Autor:
Kolešnik, Ljiljana
If approached from the perspective of digital art history, the international art movement New Tendencies emerges as a complex social network composed of artists, art critics, theorists, curators, gallerists, and other cultural actors of different gen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=57a035e5b1ae::d144a858c64237b0dbe4ab2e72653451
https://www.bib.irb.hr/1065097
https://www.bib.irb.hr/1065097