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Artistic and curatorial practices can be seen as the prime testimonies of transformative movements—on the one hand situated in a specific site and region, and on the other, transgressing disciplines, classes, norms—proposing new forms and relatio
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https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8f8922955675ada1f448c1c245451ec0
This draft edition of OnCurating began life by a group of scholars and researchers asking a series of questions about the nature of art production and curating today and what role, if any, biennials play within this paradigm. We wanted to examine and
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https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7557c8a55fc1c7944f1cfd16dd211a4a
Autor:
Kolb, Ronald
Publikováno v:
National Review -- Online; 1/17/2017, p1-1, 1p
For the Oncurating Issue 34, we asked artists, theorists, and researches to send us their proposals for a decolonized art practice, or how to deal with institutions in that regard. The 34 invited artists were given a carte blanche to contribute to th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::269e214bfba9e609eb42a8cace50f5af
The Oncurating Issue 35 "De-Colonizing Art Institutions" compiles the outcome of the symposium at the Kunstmuseum Basel and a summer academy at the Zurich University of the Arts. The symposium "De-colonizing Art Institutions" took place at Kunstmuseu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::22aad108dc8ac8dec84c90f6ae6a82c7