Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Kohn, Adrian"'
Autor:
Kohn, Adrian Michael
This dissertation explains how and why some American artists investigated visual phenomena and heightened perception during the 1960s and 1970s. As an analytical account grounded in the perceptual experience of artworks and in archival research of th
Externí odkaz:
http://hdl.handle.net/2152/6846
Autor:
Kohn, Adrian Michael.
Thesis (Ph. D.)--University of Texas at Austin, 2009.
Title from PDF title page (University of Texas Digital Repository, viewed on January 28, 2010). Vita. Includes bibliographical references.
Title from PDF title page (University of Texas Digital Repository, viewed on January 28, 2010). Vita. Includes bibliographical references.
Autor:
Kohn, Adrian
Se está agotando el tiempo. (“La vida es breve y un poco de velocidad es necesaria,” comenta Donald Judd en 1983, con cincuenta y cinco años de edad. Luego, en 1987, “El largo alcance del tiempo comparado con la vida, que es muy breve, es bas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c4f692ee58ce3961e05703d9fc4b93e8
Autor:
Kohn, Adrian
Time is wasting. (“It’s a short life and a little speed is necessary,” Donald Judd remarks in 1983, age fifty-five. Next, in ’87, “the long extent of time compared to life, which is very short, is quite obvious.” In ’89, “I have a sho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3fab23807f9c280ac3008ee062e1a827
Autor:
Kohn, Adrian
My dictionary has it that metaphysics means abstract theory with no basis in reality. Among several problems with this grossly simplified definition is the word no, the declaration of utter lack, which itself verges on abstraction when taken seriousl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4777c8f43fdcd1d3fce298be0c2fd7b0
Autor:
Kohn, Adrian
Hell, since my text’s got to fit on seven pages, I’ll need to race through only a few of upwards of three hundred paintings by JF—that many good ones anyway, he cracks—and I’ll have to shrug off altogether a thousand drawings, a number of s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5341d70c3d89a7ef7deb84a4fd734a7d
Autor:
Kohn, Adrian
It is hard to keep clear how words work as you hold forth on strange art. Metaphor, analogy, and other abstract conceits tend to treat a piece under examination as already well enough understood that it can be tellingly likened to something else, ano
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d36903be109e84815c99bb069ccdf748
Autor:
Kohn, Adrian
Donald Judd’s 1964 essay 'Specific Objects' probably remains his most well-known. In it, he described new artworks characterized by, among other features, 'a quality as a whole' instead of conventional 'part-by-part structure,' the 'use of three di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1a8cd15fddec0c1c043708b1efbdff4d
Autor:
Kohn, Adrian
Actually I am not so sure that to look hard at a thing is to forget its name — Valéry’s hasty quip which says as much seems to duck the troublesome and ever-present tangle of sights and words. For, try as I might, I never quite break free from l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::29aa6b00aed364685d9fd3e9894a0f49
Autor:
Kohn, Adrian
ere is just some of what we are given to understand John Chamberlain’s art as being like: car wrecks and dancers, artichokes and mummies and giant phalluses, drapery, a football player, ornaments for an immense Christmas tree and monstrous jungle-g
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::135b92a563ab062678bd2c2fc9d20106