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Autor:
Kohl, Owen Nathaniel
In "Were the Balkans Made for Rap? Semiosis within the Homemade Hip Hop Imaginary," I explore the relationship between media-making and the reimagining of home after socialist Yugoslavia’s violent dismemberment. The 1990s included not only the viru
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f0181829b508d9804fd0bb9b477cfd7
Autor:
Kohl, Owen Nathaniel
Publikováno v:
Signs & Society; Fall2016, Vol. 4 Issue 2, p302-332, 31p