Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Klisala Harrison"'
Autor:
Neta Spiro, Katie Rose M. Sanfilippo, Bonnie B. McConnell, Georgia Pike-Rowney, Filippo Bonini Baraldi, Bernd Brabec, Kathleen Van Buren, Dave Camlin, Tânya Marques Cardoso, Burçin Uçaner Çifdalöz, Ian Cross, Ben Dumbauld, Mark Ettenberger, Kjetil Falkenberg, Sunelle Fouché, Emma Frid, Jane Gosine, april l. graham-jackson, Jessica A. Grahn, Klisala Harrison, Beatriz Ilari, Sally Mollison, Steven J. Morrison, Gabriela Pérez-Acosta, Rosie Perkins, Jessica Pitt, Tal-Chen Rabinowitch, Juan-Pablo Robledo, Efrat Roginsky, Caitlin Shaughnessy, Naomi Sunderland, Alison Talmage, Giorgos Tsiris, Krista de Wit
Publikováno v:
Music & Science, Vol 6 (2023)
In this paper we report on the inaugural meetings of the Musical Care International Network held online in 2022. The term “musical care” is defined by Spiro and Sanfilippo (2022) as “the role of music—music listening as well as music-making
Externí odkaz:
https://doaj.org/article/77e5d0d239cd4afaa368ebf6250ce760
Autor:
Klisala Harrison
Publikováno v:
Music & Science, Vol 2 (2019)
This article examines music and music scholarship vis-à-vis research findings in addictions sciences. It explains how music is socially useful for preventing and treating addiction. Making music with others, and all of the social and cultural activi
Externí odkaz:
https://doaj.org/article/25d3d3cd31724c9dbc5a16dc9d8bc153
Autor:
Klisala Harrison
Publikováno v:
Current Musicology, Iss 82 (2006)
Pisani’s book traces the origins and development of the musical tropes for Native Americans in several contexts: European court entertainments from 1550 to 1760; anti-colonial British-American theater and songs from 1710 to 1808; parlor songs, musi
Externí odkaz:
https://doaj.org/article/4c90e7aeb32241f5b7ac3c9f32243e2b
Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and be
Autor:
Katelyn Barney, Editor, Brydie-Leigh Bartleet, Editor, Klisala Harrison, Editor, Elizabeth Mackinlay, Editor
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures
Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of v
Autor:
Klisala Harrison
Publikováno v:
Harrison, K 2021, ' Indigenous Cosmopolitanisms of Music in Sámi Theatre ', Etnomusikologian Vuosikirja, vol. 33, pp. 119-146 . https://doi.org/10.23985/evk.102997
Etnomusikologian vuosikirja
Etnomusikologian vuosikirja
Which kinds of Sáminess are expressed and engaged with music in Sámi theatre? Through descriptions of the kinds of musical genres and sounds presented, the article argue that the music of Sámi theatre can typically be described as cosmopolitan. As
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4120cb6156bcff2886228a7df30a7bdf
http://hdl.handle.net/10138/349767
http://hdl.handle.net/10138/349767
Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre
Autor:
Klisala Harrison
Publikováno v:
Harrison, K 2019, ' Sustainability and Indigenous Aesthetics : Musical Resilience in Sámi and Indigenous Canadian Theatre ', Yearbook for Traditional Music, vol. 51, pp. 17-48 . https://doi.org/10.1017/ytm.2019.6
Histories of colonial cultural erasure, unsuccessful decolonisation or postcolonialism and rapid modernisation are typically seen as the challenges to sustaining Indigenous traditional musics (Harrison, in press). The Indigenous peoples of Canada hav
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::95ddc688c2fd257e550deda2e201e5f3
https://doi.org/10.1017/ytm.2019.6
https://doi.org/10.1017/ytm.2019.6
Publikováno v:
Harrison, K, Sunderland, N & Winther-Jacobsen, K 2019, ' New Skies Above: Sense-bound and Place-based Songwriting as a Trauma Response for Asylum Seekers and Refugees ', Journal of Applied Arts and Health, vol. 10, no. 2, pp. 147-167 . https://doi.org/10.1386/jaah.10.2.147_1
There is sparse literature examining connections between songwriting and trauma overall, or specific connections between songwriting, trauma, the senses and place. This article presents a sense- and place-based approach to songwriting with and by asy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f338b10fb29364355a26c60ed10c762b
https://doi.org/10.1386/jaah.10.2.147_1
https://doi.org/10.1386/jaah.10.2.147_1
Autor:
Klisala Harrison
This introduction considers the author’s position to the subject matter and book, including its insistence that people who experience poverty should enjoy human rights all of the time, even at the time of music-making. A critical ethnography of hum
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7143f57752fdf777362a855c19d9b05f
https://doi.org/10.1093/oso/9780197535066.003.0001
https://doi.org/10.1093/oso/9780197535066.003.0001