Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Kjell Boström"'
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 11:60-65
Summary The author analyses and attempts to place in their correct evolutional phase some old still‐life paintings from the collection of Doctor Emil Hultmark, Stockholm (in March this year exhibited at the Royal Academy of Arts), among which a fin
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 16:44-52
Autor:
Kjell Boström, Axel Boëthius
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 16:136-140
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 14:22-26
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 18:99-110
Summary Still lives by David Bailly. — The author, who is preparing a thesis on symbolism in still life painting, has already made hypothetical statements in this periodical (XIII. 1944, p. 1) on the lost still life production of David Bailly (1584
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 23:45-66
Summary Two big paintings in the Nationalmuseum in Stockholm, formerly in the Imperial collections in Prague, representing the Fall of Icarus and The Wreckage of the Greek Fleet returning from Troy (fig. 1 and 2) were identified by Axel Romdahl (inde
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 14:150-170
Summary During the past few years the National Museum has celebrated the 60th anniversary of the successful self‐assertion of the first more or less modern currents of art in Sweden by a big exhibition of the finest works created during the 1880s b
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 17:108-115
Autor:
Kjell Boström
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 13:1-16
Summary The author claims to see in the emphasized solution of the problems of light and form in certain 17th‐cent. Dutch still‐life painters a reflex of the Caravaggian conception of art. This influence appears to have been spread partly through
Publikováno v:
Konsthistorisk Tidskrift/Journal of Art History. 22:31-38