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pro vyhledávání: '"Kip Lornell"'
Autor:
Kip Lornell
During the years before World War II, hundreds of traditional musicians were sought out by commercial record companies, brought to New York or into local—often makeshift—studios, to cut recordings that would be marketed as'race'and'hillbilly'musi
Autor:
Kip Lornell
Publikováno v:
Journal of American Folklore. 135:113-114
Autor:
Alan Govenar, Kip Lornell
A new biography of the beloved but mysterious Blind Lemon Jefferson, famous blues musician. Born in 1897, Jefferson was a blind street musician who played his guitar at the corner of Elm Street and Central Avenue in the Deep Ellum area of Dallas, Tex
Autor:
Kip Lornell
Publikováno v:
Capital Bluegrass
This chapter focuses on the era when bluegrass was most popular in and around Washington, DC. Several dozen venues, ranging from Tiffany Tavern in Old Town Alexandria to Lucketts Bluegrass in Loudon County, offered live bluegrass performances at leas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b1347db2e0c5e74a6055d209ba2e262
https://doi.org/10.1093/oso/9780199863112.003.0005
https://doi.org/10.1093/oso/9780199863112.003.0005
Autor:
Kip Lornell
Publikováno v:
Capital Bluegrass
This chapter focuses on the country music scene prior to the development of bluegrass. Much of this discussion describes early radio performances, the scattered newspaper accounts of this music, and the few commercial phonograph records made during t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d683150b8d5c55317f2296a2eedf9e6
https://doi.org/10.1093/oso/9780199863112.003.0001
https://doi.org/10.1093/oso/9780199863112.003.0001
Autor:
Kip Lornell
Publikováno v:
Capital Bluegrass
Both as a radio program on WAMU-FM and as a specialized magazine, Bluegrass Unlimited informed local fans about “their” music. The impact of the radio show was local, but the magazine soon garnered national attention. The Birchmere, which became
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::247e636d3a092a5ac271f4e6e532b83e
https://doi.org/10.1093/oso/9780199863112.003.0004
https://doi.org/10.1093/oso/9780199863112.003.0004
Autor:
Kip Lornell
Publikováno v:
Capital Bluegrass
During the period covered at the beginning of this chapter (the early 1990s), WAMU-FM and the Birchmere both still featured bluegrass; by the chapter’s close, in the contemporary period, this powerful radio station had completely transitioned to a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::91d6605466f78e09b91a1980294c97c3
https://doi.org/10.1093/oso/9780199863112.003.0006
https://doi.org/10.1093/oso/9780199863112.003.0006
Autor:
Kip Lornell
Publikováno v:
Capital Bluegrass
Bluegrass began to emerge as a subset of hillbilly music shortly after the close of World War II. However, both the terms “country” music and “bluegrass” were not commonly used until the late 1950s. Throughout the 1950s WARL radio highlighted
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4659ba2a44be7a30ba43ecec6dbeae58
https://doi.org/10.1093/oso/9780199863112.003.0002
https://doi.org/10.1093/oso/9780199863112.003.0002
Autor:
Kip Lornell
This book documents the history and development of bluegrass music in and around Washington, DC. It begins with the pre-bluegrass period of country music and ends with a description of the local scene near the end of the 2010s. Capital Bluegrass deta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f3ea145562a6732a5cb2b14cf1cff34
https://doi.org/10.1093/oso/9780199863112.001.0001
https://doi.org/10.1093/oso/9780199863112.001.0001
Autor:
Kip Lornell
With its rich but underappreciated musical heritage, Washington, D.C. is often overlooked as a cradle for punk, the birthplace of go go, and as the urban center for bluegrass in the Untied States. Capital Bluegrass: Hillbilly Music Meets Washington,