Zobrazeno 1 - 10
of 242
pro vyhledávání: '"Kharms"'
Autor:
Iskandari Makhnoush, Saidi Ali
Publikováno v:
Гуманитарный вектор, Vol 18, Iss 3, Pp 19-26 (2023)
One of the literary styles that was influenced by the political events of twentieth century Europe is the literature of the absurd. This literary trend affected Europe and Russia. This article is devoted to the consideration of the elements of absurd
Externí odkaz:
https://doaj.org/article/4263f60fc50e489c9c117cd0dd912afc
Autor:
Anna Bednarczyk
Publikováno v:
Między Oryginałem a Przekładem, Vol 30, Iss 1/63 (2024)
TRANSLATION OF THE EXPERIMENT – TWO POEMS BY DANIIL KHARMS TRANSLATED BY WIKTOR WOROSZYLSKI The article concerns two poems by Daniil Kharms (Нéтеперь and Фадеев, Калдеев и Пепермалдеев…) translated by Wiktor Wo
Externí odkaz:
https://doaj.org/article/0e04f6cd20e14c349ed4770004e7ddca
Autor:
Alice Bravin
Publikováno v:
eSamizdat, Vol 15, Pp 95-108 (2023)
The avant-garde literary group OBĖRIU, with its poetics of the absurd, alogism and grotesque, had a great influence on later Soviet Russian literature and on neo-avant-garde movements as well. This paper investigates the connection between OBĖRIU a
Externí odkaz:
https://doaj.org/article/3a0e9a3e2f574f50b0bd4e4844602b1c
Autor:
Alexander V. Korneev
Publikováno v:
RUDN Journal of Studies in Literature and Journalism, Vol 27, Iss 3, Pp 459-467 (2022)
The research is devoted to the dynamics of D.I. Kharms’ creativity in the 1930s: if his early work functions in accordance with the ideas of the cosmogonomeschatological archetype, then later he turns to the Easter archetype, especially in the stor
Externí odkaz:
https://doaj.org/article/0a08d7d4e5ac4689a2ea11e04ec2af57
Autor:
Levon Hakobian
Publikováno v:
Arts, Vol 13, Iss 1, p 6 (2023)
The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach t
Externí odkaz:
https://doaj.org/article/fbff1708380843e4a5fc49cfb425deec
Autor:
Hurmuz, Gabriela
Publikováno v:
Slovo. 9(1):39-51
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1071889
Autor:
Hurmuz, Gabriela
Publikováno v:
Slovo. 10(1):100-103
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1069326
Autor:
Rainer Grübel
Publikováno v:
Internationale Zeitschrift für Kulturkomparatistik, Vol 5, Pp 413-441 (2022)
This article aims to reconstruct the reception of pre-Socratic philosophy, especially that of Parmenides, in Russian modernism and avant-garde literature. In doing so, it places this reception into two contexts: the contemporary discussion of pre-Soc
Externí odkaz:
https://doaj.org/article/ad0727bde4df4af78425860e8f04e630
Autor:
Aage Hansen-Löve
Publikováno v:
Internationale Zeitschrift für Kulturkomparatistik, Vol 5, Pp 443-466 (2022)
There are astonishingly numerous and profound influences of the Pre-Socratics – especially Herakleitos and Zenon – on Russian literature between realism and the avant-garde of the 1920s. The focus here is on the concepts of Herakleitos’ “pant
Externí odkaz:
https://doaj.org/article/a3a9e978b6ff409e9d6a2b414d16e961