Participatory Sound Art : Technologies, Aesthetics, Politics. [elektronicky zdroj]

Autor: Keylin, Vadim

Externí odkaz: Kolekce e-knih KNAV (Registrovani uzivatele: plny text online 5 minut, dalsi pristup na vyzadani. Registered users: full text online 5 minutes, further access on request.)

Sound acts: towards a sonic pragmatism.

Autor: Keylin, Vadim¹ (AUTHOR) key.linn@gmail.com

Publikováno v: Sound Studies. Mar2021, Vol. 7 Issue 1, p83-99. 17p.

[Untitled]

Autor: Keylin, Vadim

The paper aims to re-examine the origins of sound art from the perspective of audience participation and the role it has in the formation of the art form. I focus on the three pioneering artists: the Baschet brothers, Max Neuhaus and Hildegard Wester

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::3993af12b59e4425b3395d4da8f88edd

Sound Art as Participatory Practice and Institutional Critique

Autor: Keylin, Vadim

Publikováno v: Keylin, V 2017, ' Sound Art as Participatory Practice and Institutional Critique ', Practices and Interpretations, vol. 2, no. 4, pp. 19-30 . https://doi.org/10.23683/2415-8852-2017-4-19-30

The paper aims to re-examine the origins of sound art from the perspective of audience participation and the role it has in the formation of the art form. I focus on the three pioneering artists: the Baschet brothers, Max Neuhaus and Hildegard Wester

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::3ccedc723c9b9885ef19e222e5946329
https://pure.au.dk/ws/files/162361992/Sound_Art_as_Participatory_Practice_and_Institutional_Critique_PDF_2017.pdf

Unauthored Music and Ready-Made Landscapes: Aeolian Sound Sculpture.

Autor: KEYLIN, VADIM

Publikováno v: Gli Spazi della Musica; 2015, Vol. 4 Issue 2, p68-85, 18p