Zobrazeno 1 - 10
of 39
pro vyhledávání: '"Kevin Winkler"'
Autor:
Laura Cobb, Jessica Lake, Kevin Winkler, Alexander Harrant, Ashley Yingst, Kristin Schaller, Eric Hoffmeyer, Madeline Larson, Dejene Tufa, Dallas Jones, Michael Verneris
Publikováno v:
Journal for ImmunoTherapy of Cancer, Vol 9, Iss Suppl 2 (2021)
Externí odkaz:
https://doaj.org/article/ca66bb62741c4a0c85259d6d4355e183
Autor:
Kevin Winkler
Publikováno v:
Studies in Musical Theatre. 16:163-166
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::710bacfd4935dd5ecdcb792ae6a8118f
https://doi.org/10.1386/smt_00099_5
https://doi.org/10.1386/smt_00099_5
Autor:
Kevin Winkler
This chapter discusses Tommy Tune’s dance and theater training in his native Texas and his early career in New York, where he immediately found work as a dancer. He appeared in the ensemble of three Broadway shows while also traveling out of town t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::83c1d8da481a28b0cfcb1aa260fe5fb9
https://doi.org/10.1093/oso/9780190090739.003.0002
https://doi.org/10.1093/oso/9780190090739.003.0002
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
The Will Rogers Follies was Tune’s most opulent show, far different from the sleek, stylized minimalism of his recent musicals, with a score by Cy Coleman (music) and Betty Comden and Adolph Green (lyrics), and a book by Peter Stone, by this time a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2d623b8d264124476bf3458aefc9fcfe
https://doi.org/10.1093/oso/9780190090739.003.0008
https://doi.org/10.1093/oso/9780190090739.003.0008
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
By the time Tommy Tune received a special Tony Award for Lifetime Achievement in 2015, he had inspired a new generation of director-choreographers, including Susan Stroman, Jerry Mitchell, and Casey Nicholaw. They successfully adapted Tune’s seamle
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fa383e31496b3ac8487a03c34bfc5f70
https://doi.org/10.1093/oso/9780190090739.003.0010
https://doi.org/10.1093/oso/9780190090739.003.0010
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
The Introduction juxtaposes the musicals of Tommy Tune during the 1980s with the large-scale British extravaganzas that dominated Broadway in the same decade. These imported “megamusicals,” featured lavish spectacle, special effects, cookie-cutte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eaf1e24a7e85f903dc2907905ecea782
https://doi.org/10.1093/oso/9780190090739.003.0001
https://doi.org/10.1093/oso/9780190090739.003.0001
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
Two consecutive projects confirmed Tommy Tune’s vision and versatility. In 1981, Tune directed the American premiere of Caryl Churchill’s Cloud 9, his first non-musical. This “comedy of multiple orgasms,” as it was billed, featured a first ac
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed914272c3ea843d714af67c92e11b31
https://doi.org/10.1093/oso/9780190090739.003.0005
https://doi.org/10.1093/oso/9780190090739.003.0005
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
Despite his success as a director-choreographer, Tommy Tune still thought of himself as a performer first. As this chapter explains, for My One and Only, a reworking of the 1927 Gershwin musical, Funny Face, he was happy to star with his friend Twigg
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7f4c512261e5e022d6420d9219d204f6
https://doi.org/10.1093/oso/9780190090739.003.0006
https://doi.org/10.1093/oso/9780190090739.003.0006
Autor:
Kevin Winkler
A Day in Hollywood/A Night in the Ukraine was a tiny jewel box of a musical revue, with a cast of just eight versatile performers, that established Tommy Tune as a director-choreographer of the first rank when it opened in 1980. Its second act was an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef38409b69b65b26ecca9c71422cc9f3
https://doi.org/10.1093/oso/9780190090739.003.0004
https://doi.org/10.1093/oso/9780190090739.003.0004
Autor:
Kevin Winkler
Publikováno v:
Everything is Choreography
Tommy Tune’s skill in reassembling a musical’s various elements into a new entity was pushed to an extreme with Grand Hotel. He chopped up, or spliced, the book (by Luther Davis) and songs (by George Forrest and Robert Wright) into a mosaic of me
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a29f5b639804cd58ee39bfc7379062c
https://doi.org/10.1093/oso/9780190090739.003.0007
https://doi.org/10.1093/oso/9780190090739.003.0007