Editing in Leone's The Good, The Bad and The Ugly (1966) and Peckinpah's The Wild Bunch (1969)

Autor: Keith Hennessey Brown

Publikováno v: Forum (2014)

In the first part of this paper I establish the centrality of editing to cinema as an art form, with specific reference to Rudolph Arnheim, Andre Bazin, Jean-Luc Godard, and Gilles Deleuze. I then examine the approaches to montage editing taken by Se

Externí odkaz: https://doaj.org/article/625e797da7a6470d92b81ea205376abc

Gothic/Giallo/Genre: hybrid images in Italian horror cinema, 1956-82

Autor: Keith Hennessey Brown

Publikováno v: Ilha do Desterro, Vol 0, Iss 62, Pp 173-194 (2012)
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; No. 62 (2012): Gothic: New Directions; 173-194
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; n. 62 (2012): Gothic: New Directions; 173-194
Ilha do Desterro
Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC

Italian horror cinema is commonly divided into two periods and genres. An initial classical Gothic period spanned the years from 1956 to 1966 and was followed by a modern giallo (thriller) period from 1970 to 1982. Whilst accepting this broad distinc

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::140721d813fe0a939ed2614a955f6ca1
https://doi.org/10.5007/2175-8026.2012n62p173