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Kearey, TEZ
Recent reassessments of the Culex consider it self-consciously pseudepigraphic, overtly protesting its Virgilian authenticity yet simultaneously flaunting its impersonatory poetics. This paper develops this approach, exploring how the poem showcases
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b5dee05fc7a97b1f1b1dc3ec231c5862
https://www.repository.cam.ac.uk/handle/1810/267093
https://www.repository.cam.ac.uk/handle/1810/267093
