Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Katie N. Johnson"'
Autor:
Katie N. Johnson
The early drama of Eugene O'Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O'Neill's dramatic writing—chan
Autor:
Katie N. Johnson
In early twentieth-century U.S. culture, sex sold. While known mainly for its social reforms, the Progressive Era was also obsessed with prostitution, sexuality, and the staging of women's changing roles in the modern era. By the 1910s, plays about p
Autor:
Katie N. Johnson
Publikováno v:
MELUS. 44:147-176
The Emperor Jones (1933) was a film aimed at critiquing empire while also evoking the black diaspora. Yet the film was created by a team of Irish-American artists (playwright Eugene O’Neill, director Dudley Murphy, and actor Dudley Digges). Their w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::420f7fb75918cb8f089fb2f199c77ebd
https://doi.org/10.1093/melus/mlz053
https://doi.org/10.1093/melus/mlz053
Autor:
Katie N. Johnson
Publikováno v:
The Eugene O'Neill Review. 38:151-155
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c4aea2990b5dabafa6c542fed1d6ba96
https://doi.org/10.5325/eugeoneirevi.38.1-2.0151
https://doi.org/10.5325/eugeoneirevi.38.1-2.0151
Autor:
Katie N. Johnson
Publikováno v:
Theatre Journal. 69:21-41
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ad6455903bbcec9f99f3b12f3ef6e79c
https://doi.org/10.1353/tj.2017.0002
https://doi.org/10.1353/tj.2017.0002
Autor:
Katie N. Johnson
Publikováno v:
Theatre Journal. 70:236-238
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c4c2c6369d60d5c9395b82646d271323
https://doi.org/10.1353/tj.2018.0031
https://doi.org/10.1353/tj.2018.0031
Autor:
Katie N. Johnson
Publikováno v:
The Theatre of Eugene O’Neill
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9f9e71992b02b9a6d841779ca1afc1c0
https://doi.org/10.5040/9781474238441.0015
https://doi.org/10.5040/9781474238441.0015
Autor:
Katie N. Johnson
Publikováno v:
The Eugene O'Neill Review. 36:235-238
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::163a8db8713e863d1a77bbd984e68b62
https://doi.org/10.5325/eugeoneirevi.36.2.235
https://doi.org/10.5325/eugeoneirevi.36.2.235
Autor:
Katie N. Johnson
Publikováno v:
The Eugene O'Neill Review. 36:1-28
Jules Bledsoe, one of the great African American singers, composers, actors, and activists in twentieth-century US culture, is often missing from historical reports of his time. Yet he originated the role of Joe in Show Boat, performed in the first E
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8b667c9edd408cd396e94d3bd6aed73d
https://doi.org/10.5325/eugeoneirevi.36.1.1
https://doi.org/10.5325/eugeoneirevi.36.1.1
Autor:
Katie N. Johnson
Publikováno v:
The Eugene O'Neill Review. 37:116-118
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4cba113a0775abff5a0dcc622c87023b
https://doi.org/10.5325/eugeoneirevi.37.1.116
https://doi.org/10.5325/eugeoneirevi.37.1.116