Výsledky vyhledávání - "Kathryn Lachman"

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Borrowed Forms : The Music and Ethics of Transnational Fiction

Autor: Kathryn Lachman

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Borrowed Forms examines the use of music by contemporary novelists and critics from across the Francophone, Anglophone, and Hispanophone

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Charlotte Delbo: Writing the Deportation

Autor: Ghislaine Dunant, Kathryn Lachman

Publikováno v: The Massachusetts Review. 60:601-618

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::18a4b904a0c549af386e488570f586f5
https://doi.org/10.1353/mar.2019.0095

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An Inner Switzerland

Autor: Kathryn Lachman, Ghislaine Dunant

Publikováno v: The Massachusetts Review. 60:99-107

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::56d62d443142b45175d099045c52153d
https://doi.org/10.1353/mar.2019.0014

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Locating the Destitute: Space and Identity in Caribbean Fiction

Autor: Kathryn Lachman

Publikováno v: Comparative Literature Studies. 55:438-443

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::56cb72310b570204c77887fa26585fc7
https://doi.org/10.5325/complitstudies.55.2.0438

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Anjali Prabhu. Contemporary Cinema of Africa and the Diaspora. Malden, Mass.: Wiley Blackwell, 2014. x + 262 pp. Illustrations. Acknowledgments. Notes. Filmography. References. Glossary. Index. Paper. $40.95. ISBN: 978-1-4051-9304-7

Autor: Kathryn Lachman

Publikováno v: African Studies Review. 60:255-259

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::60472cdf809c17806e9912bd45b0c246
https://doi.org/10.1017/asr.2017.108

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Camus, The First Man, the Last Book

Autor: Kathryn Lachman, Assia Djebar

Publikováno v: The Massachusetts Review. 58:694-701

Algerian writer Assia Djebar’s lecture on the publication of Camus’s final novel, Le Premier Homme , in April 1994. The unfinished manuscript of Camus’s novel was immediately recognized as his most raw and autobiographical reckoning with his Al

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::c4841b00d8f29d553e7d9e9102811843
https://doi.org/10.1353/mar.2017.0107

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Robert Lang. The New Tunisian Cinema: Allegories of Resistance. New York: Columbia University Press, 2014. Film and Culture Series. xxii + 380 pp. Illustrations. Preface. Acknowledgments. Notes. Filmography. Glossary. Bibliography. Index. Paper. $35.00. ISBN: 978-0-231-16506-8

Autor: Kathryn Lachman

Publikováno v: African Studies Review. 60:268-270

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::c1b7a21addf444f04bd3b13541186bff
https://doi.org/10.1017/asr.2017.79

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The Postcolonial Short Story: Contemporary Essays ed. by Maggie Awadalla, Paul March-Russell

Autor: Kathryn Lachman

Publikováno v: Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée. 43:316-320

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::48bcada3fb8d449bc7c23bea043c9952
https://doi.org/10.1353/crc.2016.0022

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Music and the Gendering of Colonial Space in Karin Albou's Le chant des mariées

Autor: Kathryn Lachman

Publikováno v: Music, Sound, and the Moving Image. 7:1-18

This article examines the multifaceted role of music in Franco-Algerian director Karin Albou's Le chant des mariees [The Wedding Song] (2008). The film soundtrack juxtaposes ‘traditional’ Tunisian folksong, German punk rock, and religious chants

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::0274af28b515cd26f7a0135821514d22
https://doi.org/10.3828/msmi.2013.1

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