Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Katherine Thomson-Jones"'
Autor:
Katherine Thomson-Jones
Aesthetics and Film is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in ae
Autor:
Katherine Thomson-Jones, Jules Taylor
Publikováno v:
Teaching Philosophy. 44:569-575
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ac4423203c2d924737b65fe6ad3bd07f
https://doi.org/10.5840/teachphil2021444162
https://doi.org/10.5840/teachphil2021444162
Autor:
Jason Gaiger, Yuriko Saito, Elisabeth Schellekens Dammann, Katherine Thomson-Jones, Glenn Parsons, Andy Hamilton, Edward Winters, David Davies
What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9c428ea0d55e79c974645ea2f9dc5f83
https://doi.org/10.5040/9781350104884
https://doi.org/10.5040/9781350104884
Autor:
Katherine Thomson-Jones
In this chapter, I acknowledge that a study of the digital image would not be complete without a discussion of realism. The widespread concern about whether to trust digital images is tied up, for many art and media theorists, with particular account
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1a93f9b4ddcb603bc8fff0b7997777a5
https://doi.org/10.1093/oso/9780197567616.003.0006
https://doi.org/10.1093/oso/9780197567616.003.0006
Autor:
Katherine Thomson-Jones
In this chapter, I consider whether digital images are digital in the strongest sense; namely, qua images. Assuming that a digital image is one that is made and screened digitally, there is a further question as to whether the representational scheme
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::149de2847dd723774ffabc831cb072de
https://doi.org/10.1093/oso/9780197567616.003.0002
https://doi.org/10.1093/oso/9780197567616.003.0002
Autor:
Katherine Thomson-Jones
In this chapter, I examine one sense in which digital images are digital; namely, in virtue of being made and presented with digital technology. I begin by outlining some general theoretical commitments regarding the nature and conditions of apprecia
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::19c6d9c53eab5549195db702aff53412
https://doi.org/10.1093/oso/9780197567616.003.0001
https://doi.org/10.1093/oso/9780197567616.003.0001
Autor:
Katherine Thomson-Jones
Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images—whether they are still or moving, 2D or 3D
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::707d5af5fdc324f9e5f4d1f163f6bf0a
https://doi.org/10.1093/oso/9780197567616.001.0001
https://doi.org/10.1093/oso/9780197567616.001.0001
Autor:
Katherine Thomson-Jones
This chapter takes up the aesthetic implications of images belonging to digital schemes. I consider how the most basic feature of digital scheme types—namely, their inherent replicability—properly conditions appreciation of digital artworks. Retu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dac0faa26d3245fc39703766aed69cfd
https://doi.org/10.1093/oso/9780197567616.003.0003
https://doi.org/10.1093/oso/9780197567616.003.0003
Autor:
Katherine Thomson-Jones
This chapter concerns the distinctive and distinctively prominent forms of interactivity realized in digital art. The focus is on the complex relation between interactivity in the visual arts and the inherent replicability of digital representation.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0bbf42b4494a8fefce138d36f2c611c2
https://doi.org/10.1093/oso/9780197567616.003.0005
https://doi.org/10.1093/oso/9780197567616.003.0005
Autor:
Katherine Thomson-Jones
Publikováno v:
Projections. 12:95-100
This article offers a critical discussion of Murray Smith’s proposals regarding the role of science in film theory and the philosophy of art more broadly. I would like to examine the precise role given by Film, Art, and the Third Culture to scienti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f55467f6f0d1e2297ef96643f27b1965
https://doi.org/10.3167/proj.2018.120212
https://doi.org/10.3167/proj.2018.120212