Zobrazeno 1 - 10
of 182
pro vyhledávání: '"Kate Flint"'
Autor:
Kate Flint
Publikováno v:
19, Vol 2023, Iss 34 (2023)
The beauty of fireflies captivated the imagination of Victorian poets, naturalists, short-story writers, and travel writers alike. Like their earthbound relatives, glow-worms, these unremarkable brown insects in daytime became otherworldly sparks of
Externí odkaz:
https://doaj.org/article/8cf2877a19c049299926a69b78c349c8
Autor:
Sria Chatterjee, Jessica Horton, Ashley Dawson, Pablo Mukherjee, Shadreck Chirikure, Ayesha Hameed, Macarena Gómez-Barris, Tao Leigh Goffe, Giulia Smith, Andil Gosine, Franklin Ginn, Sonny Assu, Douglas Kahn, Andrea Gaynor, Amanda Boetzkes, Julia Lum, Gabrielle Moser, Jennifer Mae Hamilton, Kate Flint, Simon Schaffer
Publikováno v:
British Art Studies, Iss 18 (2020)
The history of British art abounds with an interest in the environmental, especially landscape paintings that embody the pastoral and the rural, cloud studies, and stormy skies. John Barrell’s Dark Side of the Landscape published forty years ago, c
Externí odkaz:
https://doaj.org/article/f480a5517c85463e85643fe5ada09341
Autor:
Kate Flint
Publikováno v:
19, Vol 0, Iss 25 (2017)
Taking as my starting point James McNeill Whistler’s 1875 painting Nocturne in Black and Gold: The Falling Rocket, I ask what it meant, in the mid-nineteenth century, to represent fireworks, and how we might interpret Whistler’s canvas in the lig
Externí odkaz:
https://doaj.org/article/baa7231ec20647338419353e5e5f476b
Autor:
Anne Sullivan, Kate Flint
Publikováno v:
19, Vol 0, Iss 25 (2017)
Cultural histories of nineteenth-century Britain have studied the important physical and psychological transformations caused by the industrialization of light. Gaslight, though discovered prior to the nineteenth century, became aligned with the era
Externí odkaz:
https://doaj.org/article/22784f325fc042618397d35d1e721c46
Autor:
Kate Flint
Publikováno v:
19, Vol 2016, Iss 23 (2016)
John Millais’s Autumn Leaves (1856) has long been recognized as a painting that sets out to produce certain feelings in the spectator — feelings that are usually identified as very abstract ones of melancholy and loss. As such, it tends to be rea
Externí odkaz:
https://doaj.org/article/180694542c2a47f19c772ca673a7707b
Autor:
Kate Flint
Publikováno v:
19, Vol 0, Iss 9 (2009)
In my response to Tim Barringer’s piece, I emphasize the importance of extending one’s frame of reference when discussing transatlantic artistic connections to the consideration of as many different art forms as possible – including photography
Externí odkaz:
https://doaj.org/article/30dcdb8b0f2f4efea86d48fb858e7b24
Autor:
Kate Flint
Publikováno v:
Victorian Poetry. 60:437-463
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::60c2925cd042b51de28b8790ce29fe30
https://doi.org/10.1353/vp.2022.0029
https://doi.org/10.1353/vp.2022.0029
Autor:
Kate Flint
Publikováno v:
Tulsa Studies in Women's Literature. 41:174-177
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f0d0f1f22f879f452e93c371eb5c4224
https://doi.org/10.1353/tsw.2022.0014
https://doi.org/10.1353/tsw.2022.0014
Autor:
D. H. Lawrence, Kate Flint
To be oneself was a supreme, gleaming triumph of infinity This is the insight that flashes upon Ursula as she struggles to assert her individuality and to stand separate from her family and her surroundings on the brink of womanhood and the modern wo
