Zobrazeno 1 - 10 of 36 pro vyhledávání: '"Karl Neuenfeldt"'
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THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music
Autor: Karl Neuenfeldt
Publikováno v: Perfect Beat. 2:88-104
This article analyses the cultural production and use of the didjeridu in contemporary popular music, especially 'world music'2• The analysis is informed by two interwoven perspectives. Firstly, Feld's identification of what he terms "schizophonia
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::05073e4ea63273812db3751821aa025f
https://doi.org/10.1558/prbt.v2i1.28804
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9
THE DIDJERIDU AND THE OVERDUB Technologising and Transposing Aural Images of Aboriginality
Autor: Karl Neuenfeldt
Publikováno v: Perfect Beat. 1:60-77
This article investigates how aural 'images' of aboriginality are technologised and transposed across cultures, with special regard to the didjeridu. In doing this, the study involves consideration of both the traditional background of the didjeridu
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::6873ad317271b0d4cdf2a692ddf654f5
https://doi.org/10.1558/prbt.v1i2.28589
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10
‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer
Autor: Karl Neuenfeldt
Publikováno v: Jazz Research Journal. 8:202-222
This article explores the career and music of Indigenous Australian singer and musician Dulcie Pitt, also known as Georgia Lee.1 She had a distinguished career as an internationally recognized jazz, blues and folk singer and versatile entertainer (19
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::8ec08690a6da13c2cdcf5524ed4aef01
https://doi.org/10.1558/jazz.v8i1-2.26773
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