Zobrazeno 1 - 10
of 28
pro vyhledávání: '"Kamiya, Eiko"'
Autor:
Takechi, Hajime, Yoshino, Hiroshi, Suzuki, Megumi, Maeda, Akiko, Suzumura, Shota, Kamiya, Eiko
Publikováno v:
Journal of Alzheimer's Disease Reports; September 2024, Vol. 8 Issue: 1 p151-162, 12p
Publikováno v:
Organic Letters; April 2006, Vol. 8 Issue: 9 p1847-1850, 4p
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (341):1-22
The author discussed two dōbuku handed down by Katakura Family and Tōshōgū Shrine in No. 303, the Bijutsu Kenkyu. The Katakura Family, formerly the local lord family with a castle in the present Shiroishi City, Miyagi Prefecture, had also handed
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::20033d7656615dbfcbbf5b9476267858
https://tobunken.repo.nii.ac.jp/records/6277
https://tobunken.repo.nii.ac.jp/records/6277
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (294):13-28
A general discussion on the six pieces of war costume handed down by the UESUGI Family and now owned by Uesugi Shrine, and a detailed description of one of them, were published in Part I in No. 291 of this journal. In this number, the author discusse
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::15e59e80e7bef66c5151f0386d38b2c7
https://tobunken.repo.nii.ac.jp/records/6566
https://tobunken.repo.nii.ac.jp/records/6566
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (334):1-9
At the Rinnōji, Nikkō, are kept ten large-size chests full of the bugaku dance costumes used for the performance on April 17, 1636, in commemora tion of the twentieth anniversary of TOKUGAWA Ieyasu's death. These costumes were all newly prepared fo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::d53d1bd8e7ef8289f4eaae218a2fa1f7
https://tobunken.repo.nii.ac.jp/records/6405
https://tobunken.repo.nii.ac.jp/records/6405
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (303):10-21
Two sixteenth-century examples of warrior's haori decorated with komon design are discussed in this paper. Komon is a technique of fine paper-stencil dye, which was also used for decorating the formal suits of warriors. Haori is a kind of coat which
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::eb5941476ebeb2429c34a06f97bdc6de
https://tobunken.repo.nii.ac.jp/records/6442
https://tobunken.repo.nii.ac.jp/records/6442
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (306):27-37
In Kishū Tōshōgū Shrine at Wakanoura, Wakayama City, there are about seventy old costumes consisting mainly of those used by Ieyasu TOKUGAWA (1542-1616) and those used by his tenth son Yorinobu TOKUGAWA (1602-1671). These are datable to no later
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::33077b271180a0392cbf2821105c1695
https://tobunken.repo.nii.ac.jp/records/6454
https://tobunken.repo.nii.ac.jp/records/6454
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (332):22-28
This is to report on the repairs (Nov. 1980 to Oct. 1981) and the production of replicas (Feb. 1982 to Aug. 1983) of the komon-patterned dōbuku coat handed down by the KATAKURA family (designated as an important cultural asset in June 1978; Figs. la
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::4ba50d9e3a42cf309816d60614437c6b
https://tobunken.repo.nii.ac.jp/records/6398
https://tobunken.repo.nii.ac.jp/records/6398
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (310):11-24
Here introduced is one of the forty-seven sheets of bird sketches which are now preserved in the British Museum, and the set has a colophone which indicates that this version was made by Tōmin NODA, a disciple of Tōshun KANŌ, the fourth master of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::faa5eea2626bb86aec6103c83bff2973
https://tobunken.repo.nii.ac.jp/records/6466
https://tobunken.repo.nii.ac.jp/records/6466
Autor:
Kamiya, Eiko
Publikováno v:
美術研究. (324):30-36
This striped ramie haori in Tokugawa Art Museum was used by Tsunanari, the third clan master of the TOKUGAWA family of Owari (1652– 1699). The author's conclusion is that it is a work made in the Genroku Era (1688-1704) with cloth from Okinawa. If
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::0947e82548f6bacc998c93a6546e156d
https://tobunken.repo.nii.ac.jp/records/6368
https://tobunken.repo.nii.ac.jp/records/6368