Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Kamila Benayada"'
Autor:
Kamila Benayada
Publikováno v:
Textes & Contextes, Iss 17-2 (2022)
Stuart Davis’s paintings include both lines and colour planes. Lines define these colour planes, enclose colours, and in them originates the experience produced by the work. But colour, especially in Davis’s serial works (Little Giant Still Life
Externí odkaz:
https://doaj.org/article/4e60ed03e67d46559a9e4b71d35e7ace
Autor:
Kamila Benayada
Publikováno v:
Transatlantica, Vol 1 (2018)
Externí odkaz:
https://doaj.org/article/1c222511c904480a94ee0dc67ab6c8f3
Autor:
Kamila Benayada
Publikováno v:
Revue LISA, Vol 7, Pp 72-83 (2009)
Regionalist painter Grant Wood’s works complied with much of the regionalist ideology as defined by critic Thomas Craven with its nationalism and its rejection of European Modernism. Wood displayed his concern for an American idiom in many of his w
Externí odkaz:
https://doaj.org/article/d126cf12a92f4ef097b1fb2c349e3323
Autor:
Kamila Benayada
Publikováno v:
Transatlantica, Vol 2 (2013)
Externí odkaz:
https://doaj.org/article/098fae18974f488eaf1f8690b42bc89a
Autor:
Kamila Benayada
Publikováno v:
Transatlantica, Vol 2 (2010)
Externí odkaz:
https://doaj.org/article/22aa0541d6e14cec913883613360a266
Autor:
Kamila Benayada
Publikováno v:
Transatlantica, Vol 1 (2009)
Externí odkaz:
https://doaj.org/article/ac59a4b417024c89978b5773bfab659c
Autor:
Kamila Benayada
Publikováno v:
Transatlantica, Vol 2 (2008)
Externí odkaz:
https://doaj.org/article/61d9c7698a73495c89a0979f3b30b7cf
Autor:
Kamila Benayada
Publikováno v:
IdeAs, Vol 11
Stuart Davis’s Champion paintings of the 1950s and ‘60s re-examine and re-conceptualize early modernism, adapting it to a new environment, by defining an esthetics of inter-relations: with his own earlier works, with French and American modernism
Externí odkaz:
https://doaj.org/article/4543e11f5fde47458cabb43a35547c78
Autor:
Kamila Benayada
Cette analyse du dernier tableau du peintre américain Stuart Davis met en relation cette œuvre avec d’autres peintures de Davis, faisant apparaître la structure de l’œuvre comme superposition d’espaces-couleur, d’espaces linguistiques et
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::548a75b42c4f9a4d4d548c86aa64b2fd
http://journals.openedition.org/polysemes/5125
http://journals.openedition.org/polysemes/5125
Autor:
Kamila Benayada
Publikováno v:
IdeAs : Idées d’Amériques, Vol 11 (2018)
Stuart Davis’s Champion paintings of the 1950s and ‘60s re-examine and re-conceptualize early modernism, adapting it to a new environment, by defining an esthetics of inter-relations: with his own earlier works, with French and American modernism
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6a158e97401ba9ccc19c5b92e8d6a2f0
https://doi.org/10.4000/ideas.2385
https://doi.org/10.4000/ideas.2385