Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Kai Siedenburg"'
Publikováno v:
Scientific Reports, Vol 14, Iss 1, Pp 1-10 (2024)
Abstract Musicians create sound that is enjoyable to themselves and their audience, but this same sound also threatens their hearing health due to high sound pressure levels generated by their own and their fellow musicians’ instruments. Here we se
Externí odkaz:
https://doaj.org/article/a0ffd89229524903ae38751750405db9
Publikováno v:
Scientific Reports, Vol 14, Iss 1, Pp 1-9 (2024)
Abstract Sound is sensed by the ear but can also be felt on the skin, by means of vibrotactile stimulation. Only little research has addressed perceptual implications of vibrotactile stimulation in the realm of music. Here, we studied which perceptua
Externí odkaz:
https://doaj.org/article/fa3d863882ca4a4e96454fcd98ecee69
Autor:
Kai Siedenburg
Publikováno v:
Empirical Musicology Review, Vol 16, Iss 2, Pp 336-340 (2023)
Traditional approaches in timbre research have often equalized sounds according to pitch, loudness, duration in order to study timbral differences across instruments. In a compact case study of the semantic qualities of the oboe and French horn, Reym
Externí odkaz:
https://doaj.org/article/63428259386b453ea9cb5e24cc7b7ddd
Publikováno v:
PLoS Computational Biology, Vol 19, Iss 1, p e1010307 (2023)
Changes in the frequency content of sounds over time are arguably the most basic form of information about the behavior of sound-emitting objects. In perceptual studies, such changes have mostly been investigated separately, as aspects of either pitc
Externí odkaz:
https://doaj.org/article/2d112c24597d410f99787f98a73f81ea
Publikováno v:
Scientific Reports, Vol 11, Iss 1, Pp 1-11 (2021)
Abstract Perception adapts to the properties of prior stimulation, as illustrated by phenomena such as visual color constancy or speech context effects. In the auditory domain, only little is known about adaptive processes when it comes to the attrib
Externí odkaz:
https://doaj.org/article/dbe37f5c87a540fa8888ad602a8348b9
Autor:
Anna Lena Knoll, Kai Siedenburg
Publikováno v:
Music & Science, Vol 5 (2022)
Mixing popular music is a complex task requiring the consideration of artistic goals, as well as preferences of both the mixing engineer and potential listeners. Vocals are of particular importance in the mixing process. Here, we tested whether liste
Externí odkaz:
https://doaj.org/article/95d755128ddb469680e06a4a615fd2f0
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
Listeners can attend to and track instruments or singing voices in complex musical mixtures, even though the acoustical energy of sounds from individual instruments may overlap in time and frequency. In popular music, lead vocals are often accompanie
Externí odkaz:
https://doaj.org/article/e35d1a4e7633498cbd94b3222ee6d506
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
Post-tonal music often poses perceptual and cognitive challenges for listeners, potentially related to the use of relatively uncommon and unfamiliar musical material and compositional processes. As a basic compositional device, repetition affects mem
Externí odkaz:
https://doaj.org/article/35bad58b35ca4a56995611e2096a3c70
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
Auditory scene analysis is an elementary aspect of music perception, yet only little research has scrutinized auditory scene analysis under realistic musical conditions with diverse samples of listeners. This study probed the ability of younger norma
Externí odkaz:
https://doaj.org/article/f84e828355214c7e9c5d83c1692c5edb
Autor:
Kai Siedenburg, Stephen McAdams
Publikováno v:
Frontiers in Psychology, Vol 8 (2017)
Externí odkaz:
https://doaj.org/article/48b471067f644656802d8ff1a9bb754d