Zobrazeno 1 - 4
of 4
pro vyhledávání: '"Kai Ruo Soh"'
Autor:
Kai Ruo Soh
Publikováno v:
Studies in Australasian Cinema. 11:122-136
In recent years, China has become one of the largest film industries and in order to remain competitive, Chinese blockbusters are attempting to imitate Hollywood post-production qualities. As Austr...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fcc0092b6d25741446a52a0210a208a8
https://doi.org/10.1080/17503175.2017.1385143
https://doi.org/10.1080/17503175.2017.1385143
Publikováno v:
NORMA. 12:220-239
Existing approaches to understanding gendered emotions have inadequately identified the complexity of masculine affective experience on a macro-social (population) level. The division of social science into quantitative surveys of singular emotions (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1fd17285b0ad63daffa0ec0d442c41ff
https://doi.org/10.1080/18902138.2017.1363483
https://doi.org/10.1080/18902138.2017.1363483
Autor:
Kai Ruo Soh, Brian Yecies
Publikováno v:
Global Media and China. 2:74-89
Since the early 2000s, the Korean Wave (aka Hallyu) has influenced Greater China in enterprising and complex ways that diverge from the ways in which Hallyu has impacted other markets. At the same time, since China joined the Word Trade Organization
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::947091ab06e28358c6be09703601789b
https://doi.org/10.1177/2059436416687105
https://doi.org/10.1177/2059436416687105
Publikováno v:
Film Marketing into the Twenty-First Century.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc98f34f970139ea4ff43c3537979ec2
https://doi.org/10.5040/9781838711771.023
https://doi.org/10.5040/9781838711771.023