Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Jutta Toelle"'
Autor:
Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle, Martin Tröndle
Publikováno v:
Frontiers in Psychology, Vol 12 (2021)
Performing and listening to music occurs in specific situations, requiring specific media. Empirical research on music listening and appreciation, however, tends to overlook the effects these situations and media may have on the listening experience.
Externí odkaz:
https://doaj.org/article/86b187fe922048b6b67749b56765807a
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts. 17:134-151
Autor:
Jutta Toelle
Publikováno v:
Conference on Interdisciplinary Musicology.
Autor:
Jutta Toelle
Publikováno v:
troja. Jahrbuch für Renaissancemusik. 14:27-37
Autor:
John A. Sloboda, Jutta Toelle
Publikováno v:
Musicae Scientiae. 25:67-91
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice. We document a recent
Mission durch Musik : Stimmen zu Musik und Klängen in der europäischen Missionierung Hispanoamerikas
Autor:
Jutta Toelle
Spektakuläre Nachrichten drangen im Laufe des 17. Jahrhunderts aus den Missionsstationen der Jesuiten, vor allem aus der Provinz Paraguay, nach Europa: Unter Anleitung der Missionare spielten indigene Menschen dort in Orchestern europäische Musik,
Publikováno v:
Classical Concert Studies ISBN: 9781003013839
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::69208e853b5fcecfd97059b359b58aa3
https://doi.org/10.4324/9781003013839-43
https://doi.org/10.4324/9781003013839-43
Publikováno v:
Classical Concert Studies ISBN: 9781003013839
Classical Concert Studies
Classical Concert Studies
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::185b6ac40e3c98f61f4b5a673b83be80
https://doi.org/10.4324/9781003013839-42
https://doi.org/10.4324/9781003013839-42
Autor:
Jutta Toelle
This chapter outlines how a fundamental crisis arose in Italian opera houses by 1900, shaped by the focus on canonic repertory as it was defined by the leading theaters and music publishers. Planning of repertory became focused on specific kinds of o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9cf65b2f53f6127a32eb2191ff848791
https://doi.org/10.1093/oxfordhb/9780190224202.013.10
https://doi.org/10.1093/oxfordhb/9780190224202.013.10