Zobrazeno 1 - 10
of 42
pro vyhledávání: '"Justus Nieland"'
Autor:
Justus Nieland
Publikováno v:
Cinéma & Cie, Vol 19, Iss 32 (2019)
This essay discusses the production, funding, and circulation of Design Workshops (1940–44), a group of 16mm Kodachrome films produced at László Moholy-Nagy’s Chicago-based School of Design (formerly the New Bauhaus), to explore the role of c
Externí odkaz:
https://doaj.org/article/fab928f6cac14169901e0c99f33bc042
Autor:
Justus Nieland
A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice. We enter these famously cinematic interiors to be wrapped in plastic,
Autor:
Jennifer Fay, Justus Nieland
The term'film noir'still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have m
Autor:
Justus Nieland
Publikováno v:
JCMS: Journal of Cinema and Media Studies. 62:157-161
Autor:
Justus Nieland
Publikováno v:
The Encyclopedia of Contemporary American Fiction 1980–2020. :1-7
Autor:
Justus Nieland
Publikováno v:
JCMS: Journal of Cinema and Media Studies. 59:180-185
Autor:
Christopher Breu, Alexander Dunst, Sean Grattan, Elizabeth A. Hatmaker, Peter Hitchcock, Justus Nieland, Andrew Pepper, Brian Rejack, Ignacio Sánchez Prado, Pamela Thoma, Kirin Wachter-Grene, Paula Rabinowitz
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2177244b742b3ca7983b7da7ddf6b726
https://doi.org/10.1515/9780823287796
https://doi.org/10.1515/9780823287796
Autor:
Justus Nieland
Publikováno v:
In the Studio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::39aee3409f6abec1d62d6cb6775add2e
https://doi.org/10.2307/j.ctv125jsnh.12
https://doi.org/10.2307/j.ctv125jsnh.12
Autor:
Justus Nieland
Publikováno v:
Noir Affect
This presents a genealogy of noir affect as it emerges alongside of and against midcentury humanism and the transformation of work from Fordism to the postwar logic of cybernetics. Tracing a filmic trajectory from Wilder’s Double Indemnity to Godda
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::006a779fbe25a1b1f0935739782cbc60
https://doi.org/10.5422/fordham/9780823287802.003.0002
https://doi.org/10.5422/fordham/9780823287802.003.0002