Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Julien Labia"'
Autor:
Julien Labia
Publikováno v:
Transposition, Vol 7 (2018)
Externí odkaz:
https://doaj.org/article/e4d67800a1cc4ee88fcc124cabaebfeb
Autor:
Julien Labia
Publikováno v:
Aisthesis, Vol 6, Iss 3, Pp 45-66 (2014)
In spite of numerous philosophical papers concerning this topic, the philosophical approach of music criticism has not been carefully considered. For this purpose, I study in this paper the relationships between ontology of music and music criticism.
Externí odkaz:
https://doaj.org/article/0e70d6d28c544e1980c0519f131aa544
Autor:
Julien Labia
Publikováno v:
Crossings: Journal of Migration & Culture. 12:347-360
A migrant camp is a ‘non-place’ where personal identity is put at risk. Music is a means of personal adaptation in camps, even if it means allowing little place for the real reasons for displacement of the very people shaping these new hybridizat
Autor:
Julien Labia
Publikováno v:
Cahiers Sens public. :199-218
Autor:
Julien Labia
Publikováno v:
La reprise en actes ISBN: 9782753552166
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::21425d4e8885432822fed05d30f3b726
https://doi.org/10.4000/books.pur.183797
https://doi.org/10.4000/books.pur.183797
Autor:
Julien Labia
Publikováno v:
Kunst-Religion-Politik ISBN: 9783770553204
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1108fc77880fa2d2daaa1b6f99e9383f
https://doi.org/10.30965/9783846753200_013
https://doi.org/10.30965/9783846753200_013
Autor:
Michael Quante, Lu de Vos, Karsten Berr, Elisabeth Weisser-Lohmann, Francesca Iannelli, Alain Patrick Olivier, Leonardo Amoroso, Myriam Bienenstock, Bernard Bourgeois, Paolo D’Angelo, Riccardo Dottori, Bruno Haas, Jean-François Kervégan, Jean-Marie Lardic, Bernard Mabille, Gilles Marmasse, Elio Matassi, Claudia Melica, Aurélien Merle, Douglas Moggach, Ernst-Otto Onnasch, Bruno Pinchard, Erzsébet Rózsa, Michael Städtler, Jean-Louis Vieillard-Baron, Alberto Leopoldo Siani, Norbert Waszek, Julien Labia, Christophe Bouton, Christoph Düchting, null Alexander von Humboldt Stiftung
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ff52f9890548e97347475851d70db7a2
https://doi.org/10.30965/9783846753200
https://doi.org/10.30965/9783846753200
Autor:
CARLA CUOMO
Il saggio s’incentra sulla critica musicale di Massimo Mila (1910-1988) dal 1928 al 1950, il periodo che intercorre tra la sua formazione intellettuale e politica sino alla prima maturità, ossia tra l’esordio sul «Baretti» di Piero Gobetti e l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::930bb4f958b0ce67589a4dac826547ab
http://hdl.handle.net/11585/809970
http://hdl.handle.net/11585/809970
Autor:
Dahlhaus, Carl, Olivier, Alain Patrick
Publikováno v:
L'esthétique de la musique
Julien Labia. L'esthétique de la musique, Librairie philosophique J. Vrin, pp.106-114, 2015, 978-2-7116-2660-1
Julien Labia. L'esthétique de la musique, Librairie philosophique J. Vrin, pp.106-114, 2015, 978-2-7116-2660-1
Traduction de l'allemand d'un chapitre de l'ouvrage de Carl Dahlhaus : Musikästhetik. Köln, Musikverlag Hans Gerig, 1967.; National audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::55c7dae37aa30e5c829bee4b5af27579
https://hal.archives-ouvertes.fr/hal-01499651
https://hal.archives-ouvertes.fr/hal-01499651