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pro vyhledávání: '"Julie E. Cumming"'
Autor:
Julie E. Cumming, Finn Upham
Publikováno v:
Empirical Musicology Review, Vol 15, Iss 3-4, Pp 202-222 (2021)
How did Renaissance listeners experience the polyphonic mass ordinary cycle in the soundscape of the church? We hypothesize that the textural differences in complexity between mass movements allowed listeners to track the progress of the service, reg
Publikováno v:
9th International Conference on Digital Libraries for Musicology.
Publikováno v:
Digital Scholarship in the Humanities. 36:ii198-ii202
Many areas of the digital humanities (DH) have the potential to benefit greatly from recent advances in machine learning, big data, and statistical analysis. These sophisticated techniques come with pitfalls, however, and their accidental misuse can
Publikováno v:
The Oxford Handbook of Music and Corpus Studies ISBN: 9780190945442
The authors present a corpus analysis of a set of forty-four Renaissance contrapuntal duos with the aim of testing the theoretical assumption that melodic leaps, outlines, and perfect vertical intervals will be used in a way that highlights the princ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ce52f8d278c988c30c220807fb2ed332
https://doi.org/10.1093/oxfordhb/9780190945442.013.25
https://doi.org/10.1093/oxfordhb/9780190945442.013.25
Autor:
Julie E. Cumming
Publikováno v:
troja. Jahrbuch für Renaissancemusik. 17:35-46
Autor:
Julie E. Cumming, Cory McKay
Publikováno v:
Future Directions of Music Cognition.
Autor:
Julie E. Cumming
During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this
Publikováno v:
Music Theory Online. 26
This article analyzes the distribution of three- and four-voice vertical sonorities in a repertoire of French ars antiqua and ars nova motets. Rather than selecting the subjectively important sonorities within a piece—an effort that would rely on t
Publikováno v:
DLfM
Vocal polyphonic music from 1280 to 1600 is written in mensural notation and it is typically presented in a layout with separate parts. In this paper, we introduce the Mensural Scoring-up Tool, a set of scripts designed to automatically transform the
Autor:
Julie E. Cumming, Evelyn Tribble
Publikováno v:
Distributed Cognition in Medieval and Renaissance Culture
The feats of skill exhibited by early modern actors, singers, and dancers can best be approached through the lens of distributed cognition. Complex assemblages of material, social, bodily, and neural resources enabled and constrained the work of earl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::54437b98a23cb392993ff5541b71a928
https://doi.org/10.3366/edinburgh/9781474438131.003.0012
https://doi.org/10.3366/edinburgh/9781474438131.003.0012