Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Juliane C. Bockwoldt"'
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
This file will be uploaded by November 11, 2019.
Externí odkaz:
https://doaj.org/article/b88ddbf73495483f8f6d6afbeff56672
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
To you, dear reviewers: Your monstrous support was, as so often, unpaid—but valuable indeed. The energy you have put together in writing your thorough reviews substantially helped in shaping and re-shaping (and sometimes even re-re-shaping) the won
Externí odkaz:
https://doaj.org/article/2655e3f30981408c831e575ff2bfc572
Autor:
Juliane C. Bockwoldt
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
This article suggests supplementing Astrid Erll’s framework for analysis of memory making media with key insights from Herman and Chomsky’s propaganda model. An analysis of the documentary The Battle for Hitler’s Supership that portrays the sto
Externí odkaz:
https://doaj.org/article/c95d69fb0cd341539481c370a743433d
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
This file will be uploaded by November 11, 2019.
Externí odkaz:
https://doaj.org/article/be43a6ca395443c287d6be667f875e8f
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
We believe that the representation, construction, manufacture, and exclusion of monsters across genres and media is an increasingly pressing issue for individuals and civil societies on a global scale. The widespread use of exaggerated frames present
Externí odkaz:
https://doaj.org/article/1037103a2a09445190e24dfe1e0227a4
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
To you, dear reviewers: Your monstrous support was, as so often, unpaid—but valuable indeed. The energy you have put together in writing your thorough reviews substantially helped in shaping and re-shaping (and sometimes even re-re-shaping) the won
Publikováno v:
Nordlit: Tidsskrift i litteratur og kultur, Iss 42 (2019)
We believe that the representation, construction, manufacture, and exclusion of monsters across genres and media is an increasingly pressing issue for individuals and civil societies on a global scale. The widespread use of exaggerated frames present