Moving times, moving spaces . Conference report on Questions of Periodisation in the Art Historiographies of Central and Eastern Europe , Bucharest

Autor: Julia Secklehner

Publikováno v: Journal of Art Historiography, Iss 22, Pp 22-JS1 (2020)

Organised within the ERC project Art Historiographies in Central and Eastern Europe. An Inquiry from the Perspective of Entangled Histories and hosted by New Europe College – Institute for Advanced Study in Bucharest, the conference Questions of Pe

Externí odkaz: https://doaj.org/article/9cff80013da1463d96b6e25c6abdb4bb

Diplomacy, Entertainment, Souvenir?

Autor: Julia Secklehner

Publikováno v: They All Made Peace – What Is Peace? ISBN: 9781914983061

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::bccfd43ee34089eaf67769ad79e03202
https://doi.org/10.2307/jj.2430776.19

Beyond the Bauhaus

Autor: Julia Secklehner

Publikováno v: Art East Central. :169-174

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::a99ceedd174659a476bd5a908b0fc119
https://doi.org/10.5817/aec2022-2-10

Women and the Wiener Werkstätte

Autor: Julia Secklehner

Publikováno v: Art East Central. :141-145

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::dfe2a5434dd0c49f0902c0f76b964a76
https://doi.org/10.5817/aec2021-1-8

Looking at Zagreb: The Italian State as a Popularizer of Contemporary Art

Autor: Samuel D. Albert, Darija Alujević, Josipa Alviž, Jasminka Babić, Sára Bárdi, Līna Birzaka-Priekule, Tamara Bjažić Klarin, Borka Bobovec, Tijana Borić, Dubravka Botica, Marina Bregovac Pisk, Matea Brstilo Rešetar, Sandi Bulimbašić, Heidi A. Cook, Aleksandra Čelovski, Dragan Čihorić, Jakub Dąbrowski, Dragan Damjanović, Francesco Del Sole, Ljiljana Dobrovšak, Christian Drobe, Frano Dulibić, Ana Ereš, Bartol Fabijanić, Jasenka Ferber Bogdan, Ivan Ferenčak, Marta Filipová, Snezhana Filipova, Dorotea Fotivec Očić, Christiane Fülscher, Jan Galeta, Laura Gioeni, Agita Gritāne, Julia Harasimowicz, Elvira Ibragimova, Mirko Ilić, Ivana Janković, Marko Jenko, Darko Kahle, Sniedze Kāle, Jānis Kalnačs, Ivan Kokeza, Irena Kossowska, Richard Kurdiovsky, Franci Lazarini, Rita Ļegčiļina-Broka, Lana Lovrenčić, Silvija Lučevnjak, Lovorka Magaš Bilandži, Zvonko Maković, Martina Malešič, Chiara Mannoni, Igor Marjanović, Raimondo Mercadante, Željka Miklošević, Jovana Milovanović, Viktoriia Myronenko, Jasminka Najcer Sabljak, Jasmina Nestić, Andreas Nierhaus, Mario Pintarić, Patricia Počanić, Mirjam Rajner, Giovanni Rubino, Katerina Rüedi Ray, Karolina Rybačiauskaitė, Carmen Sârbu, Julia Secklehner, Vanja Stojković, Anna Stuhlpfarrer, Zoltán Suba, Nikola Tomašegović, Marcel Tomášek, Antonia Tomić, Tomáš Valeš, Marcus van der Meulen, Nóra Veszprémi, Jeremy F. Walton, Sanja Zadro, Sanja Žaja Vrbica

In 1965, at the 12th International Conference of Critics, Artists and Art Scholars, held in Rimini, Verucchio and San Marino and devoted to the theme Art and Technology, Italian art critic Giulio Carlo Argan declared that Yugoslavia had overcome the

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3668::10210ed503c6d34c076f3bd1abe944ba
https://hdl.handle.net/11590/389591