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pro vyhledávání: '"Julia S. Charles"'
Autor:
Julia S. Charles
In this study of racial passing literature, Julia S. Charles highlights how mixed-race subjects invent cultural spaces for themselves—a place she terms that middle world—and how they, through various performance strategies, make meaning in the in
Autor:
Julia S. Charles-Linen
Publikováno v:
A Centennial Celebration of The Brownies' Book ISBN: 9781496841230
This chapter tracks the overwhelming cultural effects of Jessie Redmon Fauset as the managing editor of The Brownies’ Book. It maintains that Fauset used her considerable social and political influence to navigate that “blind maze of thought” t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::09666b3f2c6133df4e639e0a703a7b2b
https://doi.org/10.2307/j.ctv2z0vv1b.6
https://doi.org/10.2307/j.ctv2z0vv1b.6
Autor:
Julia S. Charles
Publikováno v:
Women's Studies. 50:48-60
The lack of salvation, or the state of being unsaved, evokes a religious crisis, one in which the body is left outside the gates of deliverance and protection. The unsaved are, fundamentally, defin...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5ea1e3dd552f0a7b94d7132128880789
https://doi.org/10.1080/00497878.2021.1874802
https://doi.org/10.1080/00497878.2021.1874802
Autor:
Julia S. Charles
Publikováno v:
Modern Philology. 118:E45-E47
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::28bdaa7edf0a8bbaf21cd3f034ae4f90
https://doi.org/10.1086/709650
https://doi.org/10.1086/709650
Autor:
Julia S. Charles
The epilogue extends the book’s arguments into the twenty-first century. This concluding chapter shifts the conversation away from fictive depictions of Black-to-white passing toward Dolezal’s real-life white-to-Black passing. Dolezal attempts to
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::80f991489d95ab9a72c8fed9783973b6
https://doi.org/10.5149/northcarolina/9781469659572.003.0007
https://doi.org/10.5149/northcarolina/9781469659572.003.0007
Autor:
Julia S. Charles
Chapter three is chiefly concerned with the theatricality of racial passing, or with race as performance. By complicating the histories of Black-to-white passing, this chapter considers how whiteness is imagined in and through performance in Black pa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b5823ab9a649e93bc726cb3e4ca2d346
https://doi.org/10.5149/northcarolina/9781469659572.003.0004
https://doi.org/10.5149/northcarolina/9781469659572.003.0004
Autor:
Julia S. Charles
In this study of racial passing literature, Julia S. Charles highlights how mixed-race subjects invent cultural spaces for themselves—a place she terms that middle world—and how they, through various performance strategies, make meaning in the in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::94042fa0b5b9cb57d01767828adfa60c
https://doi.org/10.5149/northcarolina/9781469659572.001.0001
https://doi.org/10.5149/northcarolina/9781469659572.001.0001
Autor:
Julia S. Charles
Chapter 4 centers on the unnamed protagonist in James Weldon Johnson’s novel, The Autobiography of an Ex-Colored Man (1912). It argues that the narrator’s musical talent together with his nearly white skin allows him to vacillate between multiple
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5165ec88682ef1f81a534956d7b6f6d7
https://doi.org/10.5149/northcarolina/9781469659572.003.0005
https://doi.org/10.5149/northcarolina/9781469659572.003.0005
Autor:
Julia S. Charles
Chapter five demonstrates how “that Middle World” functions for several mixed-race characters with different social and political agendas. It unearths the various strategies of entrance into the (in)visible for racially ambiguous characters, reve
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bc3ce30508647d3e2ee9bfc8467a574f
https://doi.org/10.5149/northcarolina/9781469659572.003.0006
https://doi.org/10.5149/northcarolina/9781469659572.003.0006
Autor:
Julia S. Charles
This preface highlights the origins of this research by discussing the theatricality of racial performance. Situating the fact of racial performance in discussions of the Jim Crow South and the lived experiences of the author’s grandmother, Charles
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::77db2b100d0f5c88a270f21aa52e32b0
https://doi.org/10.5149/northcarolina/9781469659572.003.0001
https://doi.org/10.5149/northcarolina/9781469659572.003.0001