Zobrazeno 1 - 10 of 26 pro vyhledávání: '"Judit Frigyesi"'
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Akademický článek
In Search of Meaning in Context: Bartok’s Duke Bluebeard’s Castle
Autor: Judit Frigyesi
Publikováno v: Current Musicology, Iss 10 (2000)
An understanding of Duke Bluebeard’s Castle entails two interrelated topics, which cannot be fully explored in the limited scope of this article. The first, the interpretation of the symbolism of the opera, would necessitate a thorough analysis of
Externí odkaz: https://doaj.org/article/814b9054b9204ff39730e08d2ef8f406
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3
Gestures of the Soul The Prayer Chant of the East-European Jews
Autor: Judit Frigyesi
Publikováno v: Studia Musicologica. 60:327-347
The basic style of East-European Jewish (East-Ashkenazic) prayer chant (davenen), even when it might seem to be simple on paper, in transcription, has a complex and unique system of micro-structure. This micro-structure, which is evident in subtletie
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::c279009da985cecb2b3eadea4e083542
https://doi.org/10.1556/6.2019.00016
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5
Who is the girl in Bartók’s The Miraculous Mandarin? a case study of Mimi’s deleted scene and its dramatic meaning
Autor: Judit Frigyesi
Publikováno v: Studia Musicologica. 53:241-274
The story of Bartók’s pantomime is usually understood as the clash between the cold-blooded brutality of the city — represented by the tramps — and the force of primeval passion — represented by the mandarin. Within these opposing forces sta
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::47791b174bbf2cba643998c951c46df7
https://doi.org/10.1556/smus.53.2012.1-3.18
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7
Rupture, empathy, peripheries and multitudes: splinters of Jewish identities and music
Autor: Judit Frigyesi
Publikováno v: Emergences: Journal for the Study of Media & Composite Cultures. 13:9-31
In the middle of the 1980s, deep in the slumber of my professional life in American academia, an article reached me from my native land. The interviews that served as the basis for the argument did not shock me the least, but the sociological premise
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::29379216e88731105ea368ea351d5e81
https://doi.org/10.1080/1045722042000308219
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8
György Kurtág, Samuel Beckett: What is the Word, op. 30b (1990/91)
Autor: Judit Frigyesi
Publikováno v: Studia Musicologica Academiae Scientiarum Hungaricae. 43:397-409
The text of Beckett and the music of Kurtag were born from the anxiety over the incapability of expression. Its source is the artists' feeling of helplessness in face of a reality that one is no longer able to comprehend, a feeling common since the R
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::e94686df6061e2d6df80df2722923b97
https://doi.org/10.1556/smus.43.2002.3-4.15
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9
The Jewish service in Communist Hungary: A personal journey
Autor: Judit Frigyesi
Publikováno v: British Journal of Ethnomusicology. 11:141-157
This article summarizes the problems that hindered the practice of Jewish ritual music in Hungary during the Communist period. The first part describes the character of the music of the traditional Jewish service, pointing out those characteristics t
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::0b5e43b1a54d13fc8a28c30f36277db7
https://doi.org/10.1080/09681220208567332
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