Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Juan F. Cerdá"'
With its roots deep in ancient narrative and in various reworkings from the late medieval and early modern period, Shakespeare's Romeo and Juliet has left a lasting trace on modern European culture. This volume aims to chart the main outlines of this
Autor:
Juan F. Cerdá
Publikováno v:
Shakespeare. 16:313-325
From 1898, the year of the foundation of the theatre company Intimate Theatre, to his work at the New Company of Catalan Theatre around the 1910s, to his last stagings as head of the Catalan School...
Autor:
Juan F. Cerdá
Publikováno v:
The Taming of the Shrew
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d344d72aec1ae7e2b21c8bafd26f6561
https://doi.org/10.5040/9781350138223.ch-006
https://doi.org/10.5040/9781350138223.ch-006
Autor:
Juan F. Cerdá
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 96:28-40
This article seeks to enquire into different redistributions of Shakespeare’s aura and into different conceptions of authorship articulated around recent stagings of Shakespeare’s works in Spain. Faced, now, with the task of making Shakespeare re
Publikováno v:
Shakespeare in European Culture ISBN: 9789027209122
Romeo and Juliet in European Culture
Romeo and Juliet in European Culture
Borrowing from two iconic stories, Romeo and Juliet and West Side Story, this article acknowledges that adaptation lies at the centre of the play today as much as it did in the mid-1590s. It argues that stage productions approach it in a manner simil
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::22e12103a9dd1adc6918aaf69ae87fa8
https://doi.org/10.1075/sec.1
https://doi.org/10.1075/sec.1
Publikováno v:
Romeo and Juliet in European Culture
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4238fa2c125642a4d3d3fca47b132940
https://doi.org/10.1075/sec.1.01cer
https://doi.org/10.1075/sec.1.01cer
Autor:
Juan F. Cerdá
Publikováno v:
Renaissance Quarterly. 69:801-803
Autor:
Juan F. Cerdá
Publikováno v:
Shakespeare. 9:322-329
Although performed in Italian to a homogeneous Spanish-speaking crowd, Ermete Zacconi's premiere of Othello at the Comedia theatre in Madrid, in 1901, was the single most profitable box-office success of a Shakespearean performance in Spain during mu
Autor:
Juan F. Cerdá
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 81:65-72
Publikováno v:
Shakespeare Beyond English: A Global Experiment
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::966f70eb78ac6720edf37a8b77293b03
https://doi.org/10.1017/cbo9781139629119.046
https://doi.org/10.1017/cbo9781139629119.046