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Autor:
Joy Marrer, Natalie
5.1 The cognitive power of meta-narratives The dream of the ‘ideal’… The preceding chapters have shown that the saviour narrator operates on fertile ground: a lack of consensus within the interpretative community has shaped the contours of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::47c525167d27c19460a258dd3c3bc57d
http://books.openedition.org/iheid/7788
http://books.openedition.org/iheid/7788
Autor:
Joy Marrer, Natalie
The exposition in a drama provides the audience with important background information needed to understand the conflict, such as the setting, the atmosphere and the characters (Rush 2005, 64). The definition of humanitarian intervention, adhered to i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::ef6fc1cd4da3cbfd634623e79a45d9ff
http://books.openedition.org/iheid/7783
http://books.openedition.org/iheid/7783
Autor:
Joy Marrer, Natalie
The assignment of events to the plot structure of inciting incident, rising action, climax, falling action and resolution is a personal choice for presentational purposes, and can thus be debated. In the dramatic plot structure, the ‘inciting incid
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::b6ef61cd7e5b6ca87df33022991d36c0
http://books.openedition.org/iheid/7787
http://books.openedition.org/iheid/7787
Autor:
Joy Marrer, Natalie
This paper looks at the contentious debate surrounding humanitarian intervention through a critical, narratological lens. By questioning the roles cast and identities constituted, in what could be compared to a theatrical drama, focus is given to the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::45c07f7952e4ceda9212d7bc6f6edd34
http://books.openedition.org/iheid/7767
http://books.openedition.org/iheid/7767