Zobrazeno 1 - 10
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pro vyhledávání: '"Joseph S. C. Lam"'
Autor:
Joseph S. C. Lam
In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view on kunqu, a 600-year-old genre of Chinese opera that is being fashionably performed inside and outside of China. He explains how
Autor:
Joseph S. C. Lam
Publikováno v:
The Ming World ISBN: 9780429318719
The Ming World
The Ming World
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c1bb99e01af5cd0336ae6da182919626
https://doi.org/10.4324/9780429318719-22
https://doi.org/10.4324/9780429318719-22
Autor:
Joseph S. C. Lam
Publikováno v:
The Oxford Handbook of Music and Queerness ISBN: 0199793522
Cross-dressing in kunqu, a classical genre of Chinese opera, as artistic and/or queer performance, may be understood through the Chinese aesthetic dyad of se (erotic charm) and yi (performance skill); these concepts complement or challenge internatio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f1af4ad0e212f0a3b9f8e09e21830f9
https://doi.org/10.1093/oxfordhb/9780199793525.013.10
https://doi.org/10.1093/oxfordhb/9780199793525.013.10
Autor:
Joseph S. C. Lam
Publikováno v:
New Literary History. 46:623-646
Ci is a genre of Chinese poetry or song that has been continuously written, read, and/or performed since the late ninth century. In the last six or so centuries, however, the genre was more read as literature than sung as song. Since the turn of the
Autor:
Joseph S. C. Lam
Publikováno v:
Emperor Huizong and Late Northern Song China ISBN: 9781684174348
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a5a51d8e5a6a93f0d7a37f588aa5b3f9
https://doi.org/10.2307/j.ctt1tg5q4m.18
https://doi.org/10.2307/j.ctt1tg5q4m.18
Autor:
Joseph S. C. Lam
Publikováno v:
Culture, Courtiers, and Competition ISBN: 9781684174744
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6043b476ab65389e2746707d4d4a4449
https://doi.org/10.2307/j.ctt1tg5q12.11
https://doi.org/10.2307/j.ctt1tg5q12.11
Autor:
Joseph S. C. Lam
Publikováno v:
Senses of the City
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::44c0eb549a852be54f42e9da6f5be3cd
https://doi.org/10.2307/j.ctv2n7r8r.7
https://doi.org/10.2307/j.ctv2n7r8r.7
Autor:
Joseph S. C. Lam
Publikováno v:
CHINOPERL. 33:97-120
“Cangliang” 蒼凉 (desolate) is how many Kunqu 崑曲 connoisseurs would characterize Tanci 彈詞 (The ballad), scene 38 of Hong Sheng’s 洪昇 (1645–1704) Changsheng dian 長生殿 (The palace of lasting life; henceforth CSD), one of the l
Autor:
Joseph S. C. Lam
Publikováno v:
Yearbook for Traditional Music. 46:114-139
In 1960–61, the Northern Kunqu Opera Troupe of China (Beifang Kunqu Juyuan; hereafter, Beikun) created Escorting Lady Jing Home (Qianli Song Jingniang; hereafter, Escorting), a masterpiece of kunqu theatre that is still regularly performed and enth
Autor:
Joseph S. C. Lam
Publikováno v:
Asian Music. 42:112-134
This examination of music and masculinities in late Ming China (1572–1644), a turbulent time in Chinese history, consists of two parts. The first part introduces late Ming China, its masculine ideals and practices, and proposes a heuristic framewor