Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Joseph LaBine"'
Autor:
Joseph LaBine
Publikováno v:
The Parish Review, Vol 7, Iss 2 (2024)
This article proposes Irish radio broadcasting as an unexplored context for new directions in Flann O’Brien studies. Brian O’Nolan’s involvement in Irish radio spans at least two decades, from the early 1930s into the 1950s, yet the contributio
Externí odkaz:
https://doaj.org/article/15166100cb5b4e679de58e4a1749f715
Autor:
Joseph LaBine, Tobias W Harris
Publikováno v:
The Parish Review, Vol 7, Iss 1 (2023)
In the illustration accompanying ‘!CEÓL!’ (!Music!), Brian Ua Nualláin’s 1932 Irish-language story about radio and gramophone music, Ua Nualláin uses an established but outdated spelling of ‘ceol’ to suggest a polysemantic pun. This pun
Externí odkaz:
https://doaj.org/article/d43c4e7f7ed44c3ba6ca3b8d93d9b3e9
Autor:
Joseph LaBine, Tobias W Harris
Publikováno v:
The Parish Review, Vol 6, Iss 1 (2022)
This article examines the intellectual exchange and literary collaboration between John Garvin and Brian O’Nolan, exploring the dynamics of their relationship on three different levels. Professionally, Garvin was O’Nolan’s superior when O’Nol
Externí odkaz:
https://doaj.org/article/8943ba49f2bd488c8ed42fe47b744dbb
Autor:
Joseph LaBine
Publikováno v:
The Parish Review, Vol 3, Iss 2 (2016)
This article discusses the interlingual and cross-cultural resonances of the Irish language in the English and French intertextuality of O’Nolan’s short fiction and column writing through the coordinate of 'interfusionality.' The argument follows
Externí odkaz:
https://doaj.org/article/b6eb67de0a4345cca2688ecfc9afd05b
Autor:
Joseph LaBine
Publikováno v:
The Parish Review, Vol 2, Iss 2 (2014)
A note on a minor discovery at the margins of O'Nolan's canon, published in Irish by ‘Brian Ua Nualláin’ in Éire in 1940, and on the task of O'Nolan related archival work.
Externí odkaz:
https://doaj.org/article/82d43624f8d94bd0a54c754ddc9f9aaa
Autor:
Joseph LaBine
Publikováno v:
The Explicator. 78:153-155
In his shortest story “Sticks” George Saunders uses the cross as symbol and metaphor of a family’s possibility for redemption through love and forgiveness. Saunders creates drama in a very small sp...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c08fd2a900860772d594d0206a8cfb3c
https://doi.org/10.1080/00144940.2020.1844122
https://doi.org/10.1080/00144940.2020.1844122
Autor:
Joseph LaBine
Publikováno v:
ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. 33:95-97
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9ad16876d4a4937839dd96ae7c4c8e8a
https://doi.org/10.1080/0895769x.2019.1579634
https://doi.org/10.1080/0895769x.2019.1579634
Autor:
Joseph LaBine
Publikováno v:
The Explicator. 76:63-66
With few exceptions, characters are not called by their actual names in In Parenthesis but represent a combination of names, and this is most true of the composite character, Lieutenant Piers Doria...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1dd2be2869b3cb84565c173df8119eae
https://doi.org/10.1080/00144940.2017.1401522
https://doi.org/10.1080/00144940.2017.1401522
Autor:
Joseph LaBine
Publikováno v:
The Explicator. 74:137-139
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::28aec6fc491b505b2df23d3e8b3ec6ad
https://doi.org/10.1080/00144940.2016.1203744
https://doi.org/10.1080/00144940.2016.1203744
Autor:
Thomas Dilworth, Joseph LaBine
Publikováno v:
The Explicator. 71:44-48
Early in his narrative, Marlow says that he received his appointment as a river steamboat captain for the Belgian “Company” (which also employed Kurtz) because “one of their captains had been kille...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0752eca8a351cb4876ecbbb85f3b7f5c
https://doi.org/10.1080/00144940.2012.758621
https://doi.org/10.1080/00144940.2012.758621