Zobrazeno 1 - 10
of 28
pro vyhledávání: '"José Henrique Padovani"'
Autor:
Kofi Agawu, José Henrique Padovani
Publikováno v:
Revista Vortex, Vol 9, Iss 1, Pp 1-34 (2021)
In the essay, Kofi Agawu addresses the relationship between tonality – understood as a “hierarchically organized system of pitch relations” – and African music. Based on different examples and in dialogue with contributions from the decolonia
Externí odkaz:
https://doaj.org/article/f6b13dfdfb044fd1b9913a0e5991c310
Publikováno v:
Revista Vortex, Vol 10, Iss 1 (2022)
Since the advent of real-time computer music environments, composers have increasingly incorporated DSP analysis, synthesis, and processing algorithms in their creative practices. Those processes became part of interactive systems that use real-time
Externí odkaz:
https://doaj.org/article/13aa77dceb3240f1bcce521f0daf45e9
Publikováno v:
Revista Vortex, Vol 10, Iss 1 (2022)
Pierre Schaeffer's typomorphology (1966) proposes seven criteria of musical perception for the identification and qualification of sound objects, which form the basis of his musical theory. This Solfège fits well into contexts where pitch is not the
Externí odkaz:
https://doaj.org/article/796d3853d47049749acf18c8c6477b52
Publikováno v:
Revista Brasileira de Música. 33:619-653
No artigo, desenvolvemos algumas considerações sobre as relações entre processos criativos, práticas artísticas colaborativas, apropriação criativa de recursos tecnológicos (principalmente aqueles relacionados aos sistemas musicais interativ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c37a71d16d717f9f0d218a07224398f3
https://doi.org/10.47146/rbm.v33i2.39323
https://doi.org/10.47146/rbm.v33i2.39323
Publikováno v:
Anais do XVIII Simpósio Brasileiro de Computação Musical (SBCM 2021).
Pierre Schaeffers typomorphology (1966) proposes seven criteria of musical perception for the qualification of sound objects, which form the basis of his musical theory. This Solfège fits well into contexts where pitch is not the dominant dimension
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3dc49781801450fd4495c738fc460fc
https://doi.org/10.5753/sbcm.2021.19429
https://doi.org/10.5753/sbcm.2021.19429
Publikováno v:
Biblioteca Digital de Teses e Dissertações da Universidade Estadual de Campinas (UNICAMP)
Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
Orientador: Silvio Ferraz Mello Filho Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes Resumo: O objetivo do trabalho é discutir a questão das técnicas nos processos criativos relacionados a práticas musicais e sonoras ao
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::514f6539e943aa827376cdafe08aa9d6
https://doi.org/10.47749/t/unicamp.2013.920713
https://doi.org/10.47749/t/unicamp.2013.920713
Publikováno v:
Repositório Institucional da UFMG
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
The extended meaning of solfège in Pierre Schaeffer’s theoretical and artistic work is briefly introduced. Then, Gilbert Simondon’s philosophical ideas are summarised, and their potential contribution to the field of sound studies is discussed.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::55eb12a622e584d5713c751b2ff4c97b
https://orcid.org/0000-0002-8919-7393
https://orcid.org/0000-0002-8919-7393
Autor:
José Henrique Padovani
The text presents an approach between the Gilbert Simondon's philosophy of technique and Sonology and the Sound Studies, taking as initial framework the development and the employment of heterodyning and of the ring modulation in different sound prac
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8cf70cebc441da907e24dc548234a6e
Publikováno v:
Repositório Institucional da UnicampUniversidade Estadual de CampinasUNICAMP.
Orientador: Silvio Ferraz Mello Filho
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-24T04:43:20Z (GMT). No. of bitstreams: 1 Velloso_JoseHenriquePadovani_D.pdf: 30293648 bytes,
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-24T04:43:20Z (GMT). No. of bitstreams: 1 Velloso_JoseHenriquePadovani_D.pdf: 30293648 bytes,
Externí odkaz:
http://repositorio.unicamp.br/jspui/handle/REPOSIP/284497
Publikováno v:
Repositório Institucional da UFMG
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior The current research aims to understand what are the cognitive consequences that arises from the use of repetitive elements in music to, posteriorly, consider how these elements
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3056::9cabf78ffcc40a957df75dc439fee76c