Zobrazeno 1 - 10
of 21
pro vyhledávání: '"José Carlos Frade"'
Publikováno v:
Ge-conservación, Vol 12, Pp 137-149 (2017)
The retable located in the Chapel of Our Lady of Mercy, in the cloisters of Oporto’s cathedral, dates back to the 17th century. Artistically, it belongs to a transition period between the Mannerism and the Baroque styles. The artistic value and the
Externí odkaz:
https://doaj.org/article/bd118524d97d4ecba420272a71c2949b
Publikováno v:
Conservar Património, Vol 9, Pp 57-66 (2009)
Oriental lacquer is a material of vegetal origin that is used in the Asian countries as a coating for the most varied kinds of religious and civil use objects. With the Portuguese arrival to the East, the Europeans started to develop a taste for the
Externí odkaz:
https://doaj.org/article/0004e40dfb8a4dd5babdf546d8450940
Autor:
Andreia Lier-Klüge, Vieira, Eduarda, João Miranda Guedes, Cláudia Ferreira, José Carlos Frade, Rui Bordalo
Publikováno v:
Estudos de Conservação e Restauro; No 12 (2020); 69-83
Estudos de Conservação e Restauro; n. 12 (2020); 69-83
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
CIÊNCIAVITAE
Estudos de Conservação e Restauro; n. 12 (2020); 69-83
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
CIÊNCIAVITAE
Bituminous mortars characterize the traditional buildings of the city of Porto and northern Portugal, especially those built between the end of the 19th century and the first decades of the 20th century. This article aims to determine the composition
Publikováno v:
Ge-conservacion. 12:137-149
El retablo de Nuestra Señora de la Piedad se encuentra en la capilla homónima del claustro de la Catedral de Oporto. Creada en el siglo XVII, es una obra de transición estilística entre el Manierismo y el Barroco. El valor patrimonial de la obra
Autor:
Ana Isabel Seruya, Sofia Pessanha, Maria Luísa Carvalho, Stéphane Longelin, Agnès Le Gac, Marta Manso, Mauro Guerra, Isabel D. Nogueira, José Carlos Frade
Publikováno v:
Microscopy and Microanalysis. 21:20-55
The objects of this study are various local charters (cartas de foral, in Portuguese) granted by Dom Manuel I, King of Portugal (1495–1521), which substituted for medieval ones and were intended to achieve an administrative unification. These are l
Autor:
José Carlos Frade, Maria José Oliveira
Publikováno v:
e-conservation Journal. :80-93
Autor:
F. Lourenço, Maria Luísa Carvalho, Mauro Guerra, Marta Manso, José Carlos Frade, Stéphane Longelin, M.C. Serrano, Sofia Pessanha, A. Le Gac
Publikováno v:
Applied Radiation and Isotopes. 82:242-257
In the illuminated foral charters commissioned by D. Manuel I, King of Portugal (1495–1521), heraldry played a prominent role. In this work, royal emblems corresponding to the third heraldic design, applied to the Charter of Couto de Teixedo, are s
Autor:
S. Valadas, António Candeias, Stéphane Longelin, Isabel Ribeiro, Maria Luísa Carvalho, Milene Gil, C. Souto, Luis C. Dias, José Carlos Frade, José Mirão, C. Araujo
Publikováno v:
X-Ray Spectrometry. 42:242-250
This article describes a study carried out on the emblematic mural painting so-called ‘fresco of the good and bad judge’ located at the medieval village of Monsaraz (southern Portugal). This painting, with two distintic narratives, is thematicall
Publikováno v:
Journal of Analytical and Applied Pyrolysis. 89:117-121
The trees of the species Rhus vernicifera, Rhus succedanea and Melanorrhoea usitate grow in various regions of Asia and their sap is used, for thousands of years, as coating materials for the most varied kinds of objects. After drying, the sap of the
Autor:
P. Alves, António Candeias, A. I. Seruya, José Carlos Frade, José Aguiar, S. Valadas, Isabel Ribeiro, Milene Gil
Publikováno v:
Conservar Património, Vol 10, Pp 19-38 (2009)
Entre 2004 e 2006 foi efectuada uma campanha experimental no Alentejo para identificar os pigmentos empregues nas caiacoes tradicionais e apurar dados sobre as tecnicas empregues na preparacao das tintas de cal e sua aplicacao na parede. As amostras