Zobrazeno 1 - 10
of 86
pro vyhledávání: '"Jordan E. DeLong"'
Publikováno v:
Cognitive Research, Vol 3, Iss 1, Pp 1-21 (2018)
Abstract Fractal patterns are seemingly everywhere. They can be analyzed through Fourier and power analyses, and other methods. Cutting, DeLong, and Nothelfer (2010) analyzed as time-series data the fluctuations of shot durations in 150 popular movie
Externí odkaz:
https://doaj.org/article/a49cadddc45f4911b835823e6226ab22
Autor:
Gul Gunaydin, Jordan E DeLong
Publikováno v:
PLoS ONE, Vol 10, Iss 3, p e0121094 (2015)
A defining feature of passionate love is idealization--evaluating romantic partners in an overly favorable light. Although passionate love can be expected to color how favorably individuals represent their partner in their mind, little is known about
Externí odkaz:
https://doaj.org/article/75b8273caea74514b77fcd5f137e111e
Publikováno v:
i-Perception, Vol 2 (2011)
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contemporary films have more motion and movement than earlier films. Third, in
Externí odkaz:
https://doaj.org/article/e3209a247734494b836bd30947a6124a
Autor:
Jordan E. DeLong
Publikováno v:
Sport, Ethics and Philosophy. 11:385-395
In baseball, plate umpires are asked to make difficult perceptual judgments on a consistent basis. This chapter addresses some neuro-psychological issues faced by umpires as they call balls and str...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de4370ff03db8573f908e1c8ffced2d0
https://doi.org/10.1080/17511321.2017.1311367
https://doi.org/10.1080/17511321.2017.1311367
Autor:
Kaitlin L. Brunick, James E. Cutting, & Jordan E. DeLong, author
Publikováno v:
Psychocinematics : Exploring Cognition at the Movies, 2013, ill.
Externí odkaz:
https://doi.org/10.1093/acprof:oso/9780199862139.003.0007
Publikováno v:
Visual Cognition. 23:1205-1216
We examined whether dynamic images benefit memory when visual resources are limited. Almost all previous research in this area has used static photographs to examine viewers’ memory for image content, description, or visual attributes. Here, we inv
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b23525ffe44ddd791c86ad94ee5c9715
https://doi.org/10.1080/13506285.2016.1159636
https://doi.org/10.1080/13506285.2016.1159636
Publikováno v:
Cognitive Research
Cognitive Research, Vol 3, Iss 1, Pp 1-21 (2018)
Cognitive Research, Vol 3, Iss 1, Pp 1-21 (2018)
Fractal patterns are seemingly everywhere. They can be analyzed through Fourier and power analyses, and other methods. Cutting, DeLong, and Nothelfer (2010) analyzed as time-series data the fluctuations of shot durations in 150 popular movies release
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8b47f2a637dd2a3e61200f7674a656b4
https://pubmed.ncbi.nlm.nih.gov/29577071
https://pubmed.ncbi.nlm.nih.gov/29577071
Autor:
Jordan E. DeLong
Publikováno v:
Digital Scholarship in the Humanities. 30:129-136
In an article published in Literary and Linguistic Computing, Redfern argues against the use of a lognormal distribution and summarizes previous work as ‘lacking in methodological detail and statistical rigour’. This response will summarize the a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::810477bb5d0ada5eb8634062738348d5
https://doi.org/10.1093/llc/fqt030
https://doi.org/10.1093/llc/fqt030
Publikováno v:
Empirical Studies of the Arts. 29:149-169
Most films contain many shots knit together by several types of transitions, and by far the most prevalent is the cut. Over the last 70 years, fades and wipes have become increasingly rare. Dissolves have also diminished in frequency but, unlike the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dc8e3fbb3184a159d1109a5017c42fd0
https://doi.org/10.2190/em.29.2.b
https://doi.org/10.2190/em.29.2.b
Publikováno v:
Psychology of Aesthetics, Creativity, and the Arts. 5:115-125
The structure of Hollywood film has changed in many ways over the last 75 years, and much of that change has served to increase the engagement of viewers’ perceptual and cognitive processes. We report a new physical measure for cinema—the visual
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8ed22dc6da723607be5b752113649a3c
https://doi.org/10.1037/a0020995
https://doi.org/10.1037/a0020995