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pro vyhledávání: '"Jonathan H. Grossman"'
Autor:
Jonathan H. Grossman
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states,'by
Autor:
Jonathan H. Grossman
Publikováno v:
Critical Inquiry. 44:447-478
Autor:
Jonathan H. Grossman
Publikováno v:
Novel. 50:176-196
Critics have long conceded that the characters in A Tale of Two Cities are noticeably not fleshed out as individuals by the historical context of the French Revolution, and recently we have begun to figure out why: Dickens is depicting the French Rev
Autor:
Jonathan H. Grossman
Publikováno v:
Modern Philology. 102:285-289
Autor:
Jonathan H. Grossman
Publikováno v:
Nineteenth-Century Literature. 54:143-164
The work of manners as a defining element of class in Austen, distinct from money and status, is the subject of this essay. Jane Austen9s Emma (1816) is read through a functional and motive sense of class that is found in class labels such as "useful
Autor:
Jonathan H. Grossman
The same week in February 1836 that Charles Dickens was hired to write his first novel, The Pickwick Papers, the first railway line in London opened. Charles Dickens's Networks explores the rise of the global, high-speed passenger transport network i
Autor:
Jonathan H. Grossman
Publikováno v:
Nineteenth-Century Literature. 52:171-197
This essay argues that The Pickwick Papers belongs to a history of the novel and the law courts as two interdependent storytelling forums. It takes a closer look into the way that-as critics and readers have observed-the trial of Bardell against Pick
Autor:
Jonathan H. Grossman
Publikováno v:
Novel. 39:135-137