Zobrazeno 1 - 10
of 44
pro vyhledávání: '"Jonathan Coe"'
Autor:
Țacu, Andreea Daniela
Publikováno v:
Journal of Romanian Literary Studies. (16):611-617
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1123603
Akademický článek
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Autor:
Higyed, Alexandru
Publikováno v:
Orizont / Horizon. XXXIII(5):27-27
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=953374
Autor:
Vanessa Guignery
Publikováno v:
Études Britanniques Contemporaines, Vol 54 (2018)
This interview with Jonathan Coe mainly focuses on his fictional production from The Rotters’ Club (2001) to Number 11 (2015), but also includes a discussion of his breakthrough novel What a Carve Up! (1994) and of his children’s books which are
Externí odkaz:
https://doaj.org/article/e868094f6c1846558fc3ce53229413d3
Autor:
Austin, Anthony
The United Kingdom’s decision to leave the European Union – the so-called ‘Brexit’ referendum of 23 June 2016 – represents one of the most significant political moments in recent British history. The Brexit vote revealed long-established di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______293::5d8b6ddcf885a6434b33eca8594f74c9
https://hdl.handle.net/2123/30066
https://hdl.handle.net/2123/30066
Autor:
José Ramón Prado-Pérez
Publikováno v:
Études Britanniques Contemporaines, Vol 51 (2016)
Jonathan Coe’s choice of the comic in his novels becomes a political statement that derives its force from the destabilising power that humour can exert over the representation of reality and dominant narratives. I will argue that his comic approac
Externí odkaz:
https://doaj.org/article/a0be64f05fa5401592f01f3305a60113
Autor:
Laurent Mellet
Publikováno v:
Études Britanniques Contemporaines, Vol 51 (2016)
While laughter may still ‘draw people together’ and create intimacy and connections of sorts in Coe’s fiction, narrative irony, for instance, is a first tool for Coe to isolate the character and break not only the novelistic illusion, but also
Externí odkaz:
https://doaj.org/article/399cc5e2e4244aabac2de94fccaf88ef
Autor:
Jean-Michel Ganteau
Publikováno v:
Études Britanniques Contemporaines, Vol 51 (2016)
Some of the most hilarious novels of the last decades begin in gravitas or generate moments of high punctum. This article investigates the ways in which, in contemporary texts, a specific use of humour reverses the logics of comic relief to generate
Externí odkaz:
https://doaj.org/article/02a9c2796e534e92bcc832d1d5ddc7e4
Autor:
Christian Gutleben
Publikováno v:
Études Britanniques Contemporaines, Vol 51 (2016)
What appears striking about Jonathan Coe’s humour in The Rotters’ Club (2001) is how different or separate it is from postmodernism’s textual or ontological playfulness such as defined by Linda Hutcheon, Lance Olsen or Patrick O’Neil. The Rot
Externí odkaz:
https://doaj.org/article/b6b5333672954e6fb2bd8788d766d885
Autor:
Catherine Lanone
Publikováno v:
Études Britanniques Contemporaines, Vol 50 (2016)
This piece is an evocation of the Ebc odyssey, from its creation in the 1990s, along with the SEAC. It is a tribute to the colleagues whose work and enduring presence have allowed for the development of both the society and the journal. It recalls so
Externí odkaz:
https://doaj.org/article/f6b2f707392b44dfb18a620c0246b83d