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Autor:
DRUŢĂ, Gianina
Publikováno v:
Metacritic Journal for Comparative Studies and Theory. 3(2):190-196
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=594502
Autor:
Dean Krouk
Publikováno v:
Modern Drama. 60:531-533
A Global Doll’s House provides a worthy model of how digital humanities techniques can help illuminate the performance and adaptation history of a single drama. Its methodological clarity and thoughtful use of mapping will be helpful to scholars co
Autor:
Kirsten Shepherd-Barr
Publikováno v:
Theatre Research International. 42:358-360
Autor:
Alan Filewod
Publikováno v:
Transnational Literature, Vol 2, Iss 2 (2010)
Review of Jonathan Bollen, Adrian Kiernander and Bruce Parr, 'Men at Play: Masculinities in Australian Theatre since the 1950s'
Autor:
Paul B. Makeham
Publikováno v:
Theatre Research International. 34:215-216
Adopting a thematic rather than chronological arrangement, this co-authored book surveys representations of men and masculinity in post-war Australian theater. Its searching and sophisticated analyses draw upon playscripts, critical records and archi
How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like fa
Autor:
Fair, Alistair
Publikováno v:
Modern Drama; Sep2023, Vol. 66 Issue 3, p446-448, 3p
Autor:
Jonathan Bollen
Publikováno v:
Asian Studies Review. :1-2
This pioneering study harnesses virtual reality to uncover the history of five venues that have been 'lost' to us: London's 1590s Rose Theatre; Bergen's mid-nineteenth-century Komediehuset; Adelaide's Queen's Theatre of 1841; circus tents hosting Can
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ea87ccd565fa51cf7f616c9776f7df38
https://doi.org/10.1017/9781108583800
https://doi.org/10.1017/9781108583800