Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Jonathan Blower"'
Autor:
Jonathan Blower
Publikováno v:
Journal of Art Historiography, Iss 26, Pp 26-JB1 (2022)
This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Journal of the Institute of Art History of the Slovak Academy of Sciences (2011). It is based primarily on the correspondence between Dvořák and
Externí odkaz:
https://doaj.org/article/f28c4b203ec24821861dc355798a78f2
Autor:
Jonathan Blower
Publikováno v:
Journal of Art Historiography, Vol 1, Pp 1-JB/1 (2009)
As was often the case with Vienna School art historians, Max Dvořák (1874-1921) contributed a significant amount to the theory and practice of monument preservation. This paper considers his reactions to the precarious situation of artistic heritag
Externí odkaz:
https://doaj.org/article/2dd077dfb47348d9ba61b6ebc7ad8c7f
Publikováno v:
Art in Translation. 10:378-390
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::776d572afb7f6fcf4fd8ee1bd3b569de
https://doi.org/10.1080/17561310.2018.1551607
https://doi.org/10.1080/17561310.2018.1551607
Autor:
Jonathan Blower, Bernhard Diebold
Publikováno v:
Art in Translation. 8:47-52
This is a 1921 newspaper review of a screening of Walther Ruttmann’s Lichtspiel Opus I, widely recognized today as the first abstract animation to be publicly screened. Here, Diebold, who had been calling for such films since 1916, takes the opport
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::09a1ce03b559f8486ab9415999120599
https://doi.org/10.1080/17561310.2016.1144272
https://doi.org/10.1080/17561310.2016.1144272
Autor:
Simon Stampfer, Jonathan Blower
Publikováno v:
Art in Translation. 8:19-33
Originally published in Vienna in 1833, this text by Simon Stampfer offers a pivotal and substantial first-hand account of perceived principles underpinning the cinematographic “illusion of movement,” mechanisms used to achieve it and indications
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::53d7d76a6aa42cf9928f625f6f1c700d
https://doi.org/10.1080/17561310.2016.1143715
https://doi.org/10.1080/17561310.2016.1143715
Autor:
Jonathan Blower
Publikováno v:
Geschichte bauen: Architektonische Rekonstruktion und Nationenbildung vom 19. Jahrhundert bis heute
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0110b91937748b9446cbdc4524cc6dca
https://doi.org/10.7788/9783412508357-005
https://doi.org/10.7788/9783412508357-005
Autor:
Jonathan Blower, Kirsten Wagner
Publikováno v:
Art in Translation. 6:399-435
Kirsten Wagner’s essay focuses on the psychological and physiological perception of space and the inflection of both by empathy theory. She traces the development of empathy aesthetics and spatial perception in the early investigations of Hermann v
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0747a97480b650224515453ee64bbf3a
https://doi.org/10.1080/17561310.2014.11425537
https://doi.org/10.1080/17561310.2014.11425537
Publikováno v:
Art in Translation. 6:157-179
This essay focuses on the historiography of the medieval sculpture, “The Bamberg Horseman” in Bamberg Cathedral, Germany. Hinz argues that the statue was interpreted and exploited as a vehicle for the ideological definition and redefinition of Ge
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d42c22c87fa04e6983f2d4ed69d480f2
https://doi.org/10.2752/175613114x13998876655130
https://doi.org/10.2752/175613114x13998876655130
Publikováno v:
Art in Translation. 6:205-214
Bredekamp’s text proposes that the Renaissance should not be regarded as a single unity in all its manifestations, but rather a complex coexistence of divergent world views. Renaissance society, he argues, was not rationally ordered in its every di
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::df6bc0a3c87f9fb3657e7c68c03e64b8
https://doi.org/10.2752/175613114x13998876655211
https://doi.org/10.2752/175613114x13998876655211
Autor:
Jonathan Blower
Publikováno v:
Art in Translation. 5:117-135
This text, first published in German in 1976, consists of a series of statements by key artists, art critics, and art historians. They scrutinize the position of Socialist Realist art, touching on a diversity of issues including the relationship betw
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3af3074a0696ca36d4bd1b17c3683ab4
https://doi.org/10.2752/175613113x13547854569366
https://doi.org/10.2752/175613113x13547854569366