Zobrazeno 1 - 7
of 7
pro vyhledávání: '"John Xaviers"'
Autor:
John Xaviers
Jamini Roy is considered one of the most important modern artists of pre-independent India. While proficient in Western academic realism, he completely rejected the style to adopt folk traditions such as the Kalighat patua. He mass-produced his folk-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb6ab76ffbcd93f1245ed948208d4792
https://doi.org/10.4324/9781135000356-rem509-1
https://doi.org/10.4324/9781135000356-rem509-1
Autor:
John Xaviers
M.F. Husain has often been called India’s Pablo Picasso on account of his stature as the most representative artist of modern India. After the gain of political sovereignty, Husain projected himself as the most vociferous spokesman of the national
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ec11891052c9998952f20bc6ace5c08
https://doi.org/10.4324/9781135000356-rem833-1
https://doi.org/10.4324/9781135000356-rem833-1
Autor:
John Xaviers
Raja Ravi Varma transformed the way Indian gods and goddesses were pictured, and he did so with oil painting—a new import in 19th-century India. By the last quarter of the 19th century, when Western art had long rejected Salon art and a modernist e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::259704bf52677e185791f01daf2301da
https://doi.org/10.4324/9781135000356-rem525-1
https://doi.org/10.4324/9781135000356-rem525-1
InFlux: Contemporary Art in Asia brings together essays by leading critics and curators to examine modern and contemporary art practice and its discourses in Asia. Covering diverse regions spanning China, India, Thailand, Iran, West Asia, Pakistan, K
Autor:
Corey Dzenko, Theresa Avila
Taking citizenship as a political position, cultural process, and intertwining of both, this edited volume examines the role of visual art and visual culture as sites for the construction and contestation of both state-sanctioned and cultural citizen
Dance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of contemporary dance practice in India. Incorpo